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In the cantata Was soll ich aus dir machen, Ephraim? written for the 22nd Sunday after Trinity in 1723, the biblical dictum that opens the cantata is not performed by the choir but by the solo bass. B...
In the cantata Was soll ich aus dir machen, Ephraim? written for the 22nd Sunday after Trinity in 1723, the biblical dictum that opens the cantata is not performed by the choir but by the solo bass. B...
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The cantata Es reißet euch ein schrecklich Ende BWV 90, composed for the 25th Sunday after Trinity in 1723, is, like some of the cantatas performed on previous Sundays, more of a chamber music piece....
The cantata Es reißet euch ein schrecklich Ende BWV 90, composed for the 25th Sunday after Trinity in 1723, is, like some of the cantatas performed on previous Sundays, more of a chamber music piece....
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The opening chorus of the cantata Christus, der ist mein Leben BWV 95, composed for the 16th Sunday after Trinity in 1723, is unique in Bach's oeuvre, with two different chorales interrupted by a teno...
The opening chorus of the cantata Christus, der ist mein Leben BWV 95, composed for the 16th Sunday after Trinity in 1723, is unique in Bach's oeuvre, with two different chorales interrupted by a teno...
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The hymn "Was Gott tut, das ist wohlgetan" is used three times as the opening movement of a Bach cantata: BWV 98-100. While BWV 99 and 100 are choral cantatas, the cantata for the 21st Sunday after Tr...
The hymn "Was Gott tut, das ist wohlgetan" is used three times as the opening movement of a Bach cantata: BWV 98-100. While BWV 99 and 100 are choral cantatas, the cantata for the 21st Sunday after Tr...
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The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...
The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...
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The shepherd music so popular in the Baroque period characterizes the cantata Du Hirte Israel, höre BWV 104: two oboes, waist, triplets, dots and organ dots in the opening chorus, oboes d'amore in the...
The shepherd music so popular in the Baroque period characterizes the cantata Du Hirte Israel, höre BWV 104: two oboes, waist, triplets, dots and organ dots in the opening chorus, oboes d'amore in the...
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During Bach's first months in Leipzig, he composed the cantata "Herr, gehe nicht ins Gericht mit deinem Knecht" BWV 105 for the 9th Sunday after Trinity (25.7.1723). The opening chorus, based on two m...
During Bach's first months in Leipzig, he composed the cantata "Herr, gehe nicht ins Gericht mit deinem Knecht" BWV 105 for the 9th Sunday after Trinity (25.7.1723). The opening chorus, based on two m...
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The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...
The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...
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Bring festive splendor to your Christmas season with Johann Sebastian Bach's magnificent cantata "Unser Mund sei voll Lachens" BWV 110. Composed for Christmas Day, this uplifting work radiates pure jo...
Bring festive splendor to your Christmas season with Johann Sebastian Bach's magnificent cantata "Unser Mund sei voll Lachens" BWV 110. Composed for Christmas Day, this uplifting work radiates pure jo...
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The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...
The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...
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The cantata BWV 127 belongs to the year of choral cantatas that Bach performed in Leipzig in 1724/25. It is closely related to the "St. John Passion", which was performed in its second version on Good...
The cantata BWV 127 belongs to the year of choral cantatas that Bach performed in Leipzig in 1724/25. It is closely related to the "St. John Passion", which was performed in its second version on Good...
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The three-verse hymn "Wachet auf, ruft uns die Stimme" was written by Philipp Nicolai and first appears in his "Freudenspiegel des ewigen Lebens". The poet of the other text sections of the cantata is...
The three-verse hymn "Wachet auf, ruft uns die Stimme" was written by Philipp Nicolai and first appears in his "Freudenspiegel des ewigen Lebens". The poet of the other text sections of the cantata is...
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- Mixed Choir (SATB), 3 Trumpets, Timpani, 2 Oboes, 2 Violins, Viola and Basso continuo
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Carl Philipp Emanuel Bach's 9-movement Magnificat from 1749, his first major Berlin vocal work, is one of the most sonorous and, in the vocal solo parts, also one of the most demanding settings of the...
Carl Philipp Emanuel Bach's 9-movement Magnificat from 1749, his first major Berlin vocal work, is one of the most sonorous and, in the vocal solo parts, also one of the most demanding settings of the...
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The Advent cantata Machet die Tore weit has long been one of Telemann's most frequently performed church music works. Among the manuscripts that transmit the cantata is an important testimony to the e...
The Advent cantata Machet die Tore weit has long been one of Telemann's most frequently performed church music works. Among the manuscripts that transmit the cantata is an important testimony to the e...
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