Intermediate Classical Music Sheet Music

When Russian composer Joseph Schillinger met Leon Theremin (the inventor of the theremin) they collaborated resulting in a few of the first original pieces for the theremin. Among those pieces Schilli...

When Russian composer Joseph Schillinger met Leon Theremin (the inventor of the theremin) they collaborated resulting in a few of the first original pieces for the theremin. Among those pieces Schilli...

When Russian composer Joseph Schillinger met Leon Theremin (the inventor of the theremin) they collaborated resulting in a few of the first original pieces for the theremin. Among those pieces Schilli...

Johann Strauss wrote the 'Russische Marsch-Fantasie' (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

'The Carnival of Venice' is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in hi...

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

The Carnival of Venice is a popular Italian folk tune associated with the words "My hat, it has three corners." It was heard in Venice by the virtuoso violinist Nicolo Paganini and made famous in his...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Vivat! Vivat le Torero!' is sung in the second act of th...

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

Carmen is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus "Vivat! Vivat le Toréro!" is sung in the second act of the...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...

'Die Afrikanerin', is a Viennese quadrille which Johann Strauss based on the themes from Meyerbeer's opera 'L'Africaine'. It was first heard in the Vienna Volksgarten on 7 July 1865 during a musical n...