Immerse yourself in the radiant elegance of the Italian High Baroque with Antonio Vivaldi's Concerto No. 4 in G major op. 10/4 (RV 435 / PV 104). This captivating work for flute, string orchestra, and...
Immerse yourself in the radiant elegance of the Italian High Baroque with Antonio Vivaldi's Concerto No. 4 in G major op. 10/4 (RV 435 / PV 104). This captivating work for flute, string orchestra, and...
- Flute, Strings and Continuo
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Partitur = Cembalo/Klavier
- Flute, Strings and Continuo
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- Flute, Strings and Continuo
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- Harpsichord, 2 Violins and Continuo
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- Heinrich Wollheim
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2002 komponierte Elena Kats-Chernin nach Hans Christian Andersens Märchen 'Die wilden Schwäne' das Ballett 'Wild Swans' für Australian Ballet und die Choreografin Mery Tankard - beide Künstlerinnen ha...
2002 komponierte Elena Kats-Chernin nach Hans Christian Andersens Märchen 'Die wilden Schwäne' das Ballett 'Wild Swans' für Australian Ballet und die Choreografin Mery Tankard - beide Künstlerinnen ha...
- Violin, Cello and Piano
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Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in the Wild Swans, more than in any other work of mine, I allowed myself th...
Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in the Wild Swans, more than in any other work of mine, I allowed myself th...
- Violin, Cello and Piano
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- String Quartet with Vocal(s) (High Voice, 2 Violins, Viola and Cello)
- Set of Parts Download
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- Piccolo, 2 Violins, Viola and Cello
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- Piccolo, 2 Violins, Viola and Cello
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My Serenata in Stile Antico is strongly influenced by Italian Baroque music of the 17th century. The opening movement, Ciaconna, is based on a repeating bass line of four bars. The following Siciliana...
My Serenata in Stile Antico is strongly influenced by Italian Baroque music of the 17th century. The opening movement, Ciaconna, is based on a repeating bass line of four bars. The following Siciliana...
- Oboe and Strings
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My Serenata in Stile Antico is strongly influenced by Italian Baroque music of the 17th century. The opening movement, Ciaconna, is based on a repeating bass line of four bars. The following Siciliana...
My Serenata in Stile Antico is strongly influenced by Italian Baroque music of the 17th century. The opening movement, Ciaconna, is based on a repeating bass line of four bars. The following Siciliana...
- Oboe and Strings
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- Narrator, Horn and Piano
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I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
- Horn, Piano and Narrator
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- Oboe, Horn and Piano
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Woodwind quintet and narrator.
- Narrator and 5 Wind Instruments
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Tenor voice, horn, violin and piano Theme of Jack Bride (1'47) - 1. Auschwitz (1'36) - 2. Texas on a Sunday (3'46) - 3. The Bounty (1'38) - 4. Greenland (4'38) - 5. Sermon on the mount (2'58) - 6. Mas...
Tenor voice, horn, violin and piano Theme of Jack Bride (1'47) - 1. Auschwitz (1'36) - 2. Texas on a Sunday (3'46) - 3. The Bounty (1'38) - 4. Greenland (4'38) - 5. Sermon on the mount (2'58) - 6. Mas...
- High Voice, Horn, Violin and Piano
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- Oboe, Horn and Piano
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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- Horn and Viola
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
- Oboe, Horn and Strings
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- Trumpet, Horn, Trombone, Tuba and Piano
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