Intermediate Easter Music Sheet Music: Repertoire for Your Level

Setting an invigorating Easter text from the Song of Songs, this episodic anthem is full of expressive passages and lyrical melodies. The canonical soprano parts are echoed in the lower voices, contri...

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...

Johann Sebastian Bach's "St. Matthew Passion", as we know it today, apparently has a longer history dating back to before 1727. It is unclear whether the Passion performed in the 1729 Good Friday serv...

J. S. Bach's St. Mark Passion has already undergone many attempts at reconstruction. Only the text according to Picander has survived and thus allows conclusions to be drawn about the original form of...

The Requiem "Light Shines in the Darkness" is a composition for viola solo and mixed choir. John Høybye sets a text by Edward Broadbridge to music. The predominantly English-language poem contains Lat...

The Requiem "Light Shines in the Darkness" is a composition for viola solo and mixed choir. John Høybye sets a text by Edward Broadbridge to music. The predominantly English-language poem contains Lat...

The Requiem "Light Shines in the Darkness" is a composition for viola solo and mixed choir. John Høybye sets a text by Edward Broadbridge to music. The predominantly English-language poem contains Lat...

The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...

The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...

The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...

Dieterich Buxtehude composed his greatest oratorical work, the cantata cycle Membra Jesu nostri, for the Passiontide of 1680 and dedicated it to his friend and Swedish court conductor Gustav Düben. In...

Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...

The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...

Danish composer John Høybye enjoys great acclaim at home and abroad, not just for his music but also for his work as a (choral) conductor and arranger. Presenting a medium level of difficulty, Hope. E...