Intermediate Sacred & Church Music Sheet Music

A delightful setting of the Psalm 67 by John Ness Beck, for SATB Choir with Organ or Piano accompaniment. The piece begins in a gentle, reverent tranquility with hushed dynamics, gradually building in...

This joyous introit sets words from Psalm 95 and features recitative-like melodies, striking harmonies, and fluctuating metre. The flexible scoring facilitates performance by SATB choir, unison voices...

This sombre and evocative 'Stabat mater' is taken from Passion Music, a concert and liturgical work that continues Todd's fusion of jazz and choral music so successfully blended in his Mass in Blue.

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

Trevor Weston's setting of the Magnificat and Nunc Dimittis, with English text, is a glorious contribution to the rich tradition of choral Evening Services. Written in the canon of Vaughan Williams an...

This edition is based on compositions for Boys' (mixed) choir, handbells and six orchestra percussionists written in 2004 as a program for Riga Cathedral boys' choir CD recording, lead by conductor Ma...

A new classic from Donald Moore: a skillfully arranged version of the famous Bach/Gounod 'Ave Maria. ' Your choir will sound impressive singing these lyric lines and rich harmonies set to an 'Alleluia...

A new classic from Donald Moore: a skillfully arranged version of the famous Bach/Gounod 'Ave Maria. ' Your choir will sound impressive singing these lyric lines and rich harmonies set to an 'Alleluia...

Premiered in April of 2004 at Carnegie Hall, this exuberant festival piece by revered composer and conductor Sally K. Albrecht is not to be missed! Open your next concert with this majestic fanfare th...

A vibrant rhythmic pattern accompanies the straightforward melody in this modern sounding choral for developing choirs by Brian Lewis. Appropriate for concerts and festivals year round, it's easy to l...

For the discerning choir, a lovely setting of the Latin 'Benedictus. ' A haunting melodic motive is underscored by a gently lilting piano accompaniment as your choir performs this highly expressive an...

Sheer poetry! This anthem of timeless beauty opens quietly with a haunting, folk-like melody sung by a soloist (opt. section) and the simplest of accompaniments. Singing of the pilgrim on life's journ...

A majestic Christmas march! Tom Fettke has arranged Jimmy and Carol Owens' powerful chorus with solid choral writing and colorful sequencing keys that respond to the magical poetry of the text: King J...

The psalmist says, 'Praise the Lord! Praise the Lord from the Heavens, praise Him in the heights above!' Accompanied by percussion and left hand piano or bass, this spiritual setting of Psalm 148 is i...

Mozart / ed. Manney

Gabriel Urbaine Fauré (1845-1924) was one of the foremost French composers of his generation, and his musical style influenced many composers in the 20th century. In 1881, Fauré composed the Messe des...

The cantata "Wie schön leuchtet der Morgenstern" (BWV 1) was composed on March 25, 1725, when the Feast of the Annunciation coincided with Palm Sunday. It forms the conclusion of Bach's choral cantata...

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

The cantata "Ich hatte viel Bekümmernis" was composed around 1713 and was probably performed by the composer for the first time in the same year at the Liebfrauenkirche in Halle. It was probably not a...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo