My Serenata in Stile Antico is strongly influenced by Italian Baroque music of the 17th century. The opening movement, Ciaconna, is based on a repeating bass line of four bars. The following Siciliana...
My Serenata in Stile Antico is strongly influenced by Italian Baroque music of the 17th century. The opening movement, Ciaconna, is based on a repeating bass line of four bars. The following Siciliana...
- Oboe and Strings
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I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
- Horn, Piano and Narrator
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- Oboe, Horn and Piano
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Woodwind quintet and narrator.
- Narrator and 5 Wind Instruments
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Tenor voice, horn, violin and piano Theme of Jack Bride (1'47) - 1. Auschwitz (1'36) - 2. Texas on a Sunday (3'46) - 3. The Bounty (1'38) - 4. Greenland (4'38) - 5. Sermon on the mount (2'58) - 6. Mas...
Tenor voice, horn, violin and piano Theme of Jack Bride (1'47) - 1. Auschwitz (1'36) - 2. Texas on a Sunday (3'46) - 3. The Bounty (1'38) - 4. Greenland (4'38) - 5. Sermon on the mount (2'58) - 6. Mas...
- High Voice, Horn, Violin and Piano
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- Oboe, Horn and Piano
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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- Horn and Viola
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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- Trumpet, Horn, Trombone, Tuba and Piano
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- Horn, Tuba and Piano
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- Flute and Harp
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- 2 Oboes, 2 Clarinets, 2 Horns, 2 Bassoons and Double Bass
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Exact instrumentation: clarinet, bassoon, cornet a pistons, trombone, violin, contrabass and percussion
Exact instrumentation: clarinet, bassoon, cornet a pistons, trombone, violin, contrabass and percussion
- Clarinet, Bassoon, Trumpet, Trombone, Violin, Double Bass and Percussion
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- Flute, Viola, Cello and Piano
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- 5 Wind Instruments and Narrator
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Score and solo parts In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard La...
Score and solo parts In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard La...
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In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard Lane to consider writing...
In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard Lane to consider writing...
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- Oboe, Viola d'Amore and Piano
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Richard Lane and I were both drafted into the U.S. Army in October, 1956 and met during our second session of basic training at the Band School, Ft. Dix, New Jersey in January, 1957. We became immedia...
Richard Lane and I were both drafted into the U.S. Army in October, 1956 and met during our second session of basic training at the Band School, Ft. Dix, New Jersey in January, 1957. We became immedia...
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