Intermediate Sheet Music for Mixed Choir

Angestrebt wurde eine möglichst große stilistische Bandbreite, vom schlichten choralartigen bis zum einfachen Jazzsatz, vom Swingstil bis zum Gospelrock, vom ursprünglichen Call-and-Response-Prinzip z...

A collection of the most beautiful international evening songs and lullabies in atmospheric arrangements for mixed choir (SATB). Apart from classical pieces in German, the present new and modern arran...

Thomas Hewitt Jones' version of the traditional American song, arranged for VOCES8 for the ensembles fifth anniversary album and US tour in 2012.

Eine Anthologie mit geistlicher Chormusik für gemischten Chor. Mit einer Einführung und praktischen Tipps zur Probenarbeit von Chor-Dirigent Simon Halsey. Eine gemeinsame Publikation von Edition Peter...

A setting of a Navajo text (here translated by Jerome K. Rothenburg).

Der grossartige Chorsatz des frühbarocken Meisters ist nicht doppelchörig, sondern real achtstimmig angelegt. Fast 400 Jahre lag das Werk vergessen in den Archiven, bis sich der Melchior-Franck-Expert...

A jazz-fluenced arrangement of the Christian hymn, written for Andrew Earis and the choir of St Martin in the Fields, London.

Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.)

Italian Traditional Arranged by Ben Parry für Sopran, Alt (2), Tenor (2), Bass (2)

Commissioned by Roger Muttitt for the 600th anniversary of Durham School in 2014, In this place is a setting of the composer's own words and was first performed at a service of celebration in Durham C...

Inspiriert von einem Arrangement des gleichen Stückes durch Joseph Jennings für Chanticleer, kombiniert Shawn Kirchner hier die fünf Silben des 'Halleluia' mit der zeitlosten Melodie des alten Spiritu...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

A serene setting of Luke 4: 18-19 (English text), suitable for Pentecost and general use.

Setting of Latin text combining a versicle at Matins on the Feast of St Andrew with a fragment of a prayer attributed to him.

New settings of the two evening canticles which incorporate jazz elements, including harmony in voice parts and organ and many 'blue' notes. Despite these jazz elements, the music is very approachable...

Stay with me, Lord was originally commissioned by the Genesis Foundation as one of three commissioned settings of Padre Pio's Prayer after Communion, and first performed in June 2008 at Westminster Ca...

This work was commissioned by the Friends of Cathedral Music to mark their Diamond Jubilee in 2016, with the intention of performance by as many of the affiliated choirs as possible.Naturally a celebr...

Especially commissioned by the Dean & Chapter of Westminster for performance at the Funeral Service of Her Late Majesty Queen Elizabeth II at Westminster Abbey on Monday 19 September 2022. The text, f...

A setting of one of the seven O Antiphons, O Adonai, is built upon an ostinato figure on a single note which starts and ends the composition, initially using the words of the title. Acting as a drone...