Intermediate Sheet Music for Mixed Ensemble

Dietrich Buxtehude's Magnificat is a sonorous movement that achieves a remarkable effect with musically simple means. A piece without any particular difficulties that can claim a place in the repertoi...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

Psalm 111 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre (vokal oder instrumental) und Basso continuo. Urtext der Neuen Schütz-Ausgabe. FavCh-SATB+SATB (2), CapCh-SMezAB+SMezAB (2), Basso contin...

Kantate für 3 Solisten, Chor und Instrumente oder Orgel. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Orgel/ Trompete (2)/ Cornetti, Posaune (3), Fagott, Streicher, Basso continuo - Part...

Geistliches Konzert für 2 Singstimmen (auch chorisch) und Instrumente. Der Partitur liegen die Vokal- und Instrumentalstimmen bei. Sopran solo (2), Violine (2), Basso continuo - Partitur; Stimmensatz

The 'organ plus one' series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played...

The Gloria by Antonio Vivaldi is truly a magnificent work. This is the opening movement with the organ playing the original string and oboe parts with the brass quintet performing the powerful choir l...

The 'Stabat Mater' is the best known work of Giovanni Pergolesi's. It was commissioned by the 'Confraternità dei Cavalieri di San Luigi di Palazzo' who presented an annual Good Friday meditation in ho...

Popular Christmas mass based on carol melodies. Mass text in Latin with introit in English. Original scoring for Mixed Voices, Organ, Piccolo, Brass, Percussion and optional congregation. Congregation...

In his roles as Kapellmeister at Notre-Dame Cathedral in Paris and in the royal chapel of Louis XV, André Campra composed numerous grand motets, which often show stylistic influences from contemporary...

A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...

A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...

A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...

A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...

Kantate zum 5. Sonntag nach Trinitatis - Für diese Choralkantate übernahm Bach die 1, 4 und 7 Strophe des gleichnamigen Chorals von Georg Neumark. Die anderen Strophen sind dagegen mit freien Nachdich...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...