Intermediate Sheet Music for Mixed Ensemble

The work was commissioned by the Schwetzingen Mozart Festival at the suggestion of clarinetist Nikolaus Friedrich who wished to enrich the rather meagre repertoire for basset clarinet. This edition co...

The work was commissioned by the Schwetzingen Mozart Festival at the suggestion of clarinetist Nikolaus Friedrich who wished to enrich the rather meagre repertoire for basset clarinet. This edition co...

The Magician's Shoes are gone! A pair of shoes of a performing magician invite you on a journey of discovery and wisdom as they escape their shiny black box and set off to see what the world has to of...

The Magician's Shoes are gone! A pair of shoes of a performing magician invite you on a journey of discovery and wisdom as they escape their shiny black box and set off to see what the world has to of...

Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...

Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Suissitude (Swissness) What makes an identity? I have created 4 various musical descriptions expressing my concepts of Switzerland, and what seems to me is the essence of each section of the country a...

Suissitude (Swissness) What makes an identity? I have created 4 various musical descriptions expressing my concepts of Switzerland, and what seems to me is the essence of each section of the country a...

This piece, with its unexpected accompaniment by a string quartet, is one of the composer's last. With the quartet Ophelia (2006), she had acquired full mastery of writing for strings, which she uses...

This piece, with its unexpected accompaniment by a string quartet, is one of the composer's last. With the quartet Ophelia (2006), she had acquired full mastery of writing for strings, which she uses...

Eine mitreißende Konzertfantasie aus Georges Bizets Erfolgsoper 'Carmen' für Trompete (Bb/C), Posaune (C/Bb) und Klavier von Uwe Kohls.

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...