Intermediate Sheet Music for Violin

Attractive solo literature for the intermediate level student. The pieces in this collection do not take the player beyond third position. Contents: Siciliano from the Sonata No. 4 in C minor, BWV 101...

These 11 well-known pieces composed especially for Violin make an ideal introduction to playing more advanced solos. Each piece reveals something about the Violin's capabilities as a solo instrument a...

A compendium of classic solos for the violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite violin solos with full piano accompaniment and...

> Concert piece entirely in first position > Ideal for students wishing to perform their first recital > Duration: approx. 10 minutes Oskar Rieding (1840-1918) is known to all young violinists for his...

> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...

Discover a masterful gem of the Baroque era: Georg Philipp Telemann's "12 Fantasias for Violin without Bass" (TWV 40:14–25) rank among the most fascinating works for solo violin. In this collection, T...

Experience the masterful chamber music of the Baroque era with the renowned Trio Sonata in E-flat major (TWV 42:Es 1) from Georg Philipp Telemann's magnificent "Tafelmusik" (Part 1). Scored for two vi...

Immerse yourself in the rich world of chamber music: The edition "Complete Works for Violin and Basso Continuo" from the renowned Bärenreiter Verlag brings together masterly compositions in a first-cl...

Konzert für Violine, Streicher und Bc, Rekonstruktion Wilfried Fischer nach BWV 1052 - Concerto for Violin, Strings and Bc, Reconstruction BWV 1052 (Wilfried Fischer) VSolo, Streicher, Basso continuo...

Immerse yourself in the baroque brilliance of Johann Sebastian Bach's chamber music: This first-class Urtext edition from the renowned Bärenreiter Verlag brings together the masterly Sonatas in G majo...

Franz Schubert's Sonata in A major, D 574 (op. posth. 162) – often affectionately known as the "Duo" – is a timeless masterpiece brimming with lyrical beauty, youthful vitality, and intimate chamber m...

Franz Schubert’s “3 Sonatas (Sonatinas) Op. post. 137” for violin and piano are among the most charming treasures of the chamber music repertoire. Composed in the spring of 1816, these three masterpie...

Discover the brilliant variety of Baroque violin artistry with these three masterful concertos by Georg Philipp Telemann! This premium Bärenreiter Urtext edition brings together the concertos in A min...

Friedrich Seitz (1848-1918) gehörte zu den bekanntesten und gefragtesten Violinisten seiner Zeit. Ein resoluter erster Satz in g-Moll eröffnet das Konzert, er wird von einem lieblichen Adagio in Es-Du...

Friedrich Seitz (1848-1918) was one of the best-known and most sought-after violinists of his time. A resolute first movement in G minor opens the concerto, which is followed by a lovely Adagio in E f...

Johannes Brahms The works for one instrument and piano Johannes Brahms' compositions for one instrument and piano became part of the standard chamber music repertoire soon after they were written. Whi...

> A pioneering set of Urtext editions > String editions include an Urtext solo part and a second part with fingering as well as performance markings > Each edition offers a preface on performance prac...

A pioneering set of Urtext editionsString editions include an Urtext solo part and a second part with fingering as well as performance markingsEach edition offers a preface on performance practice asp...

Mit Hinweisen zur Aufführungspraxis von Douglas Woodfull-Harris

> First edition of the piano version based on Dvorák's autograph > Foreword by David R. Beveridge (Cz/Eng/Ger) > Critical Commentary (Eng) by the editorOriginally written for violin and orchestra bet...

Violine, Klavier - Spielpartitur; Einzelstimme

These six short pieces are suitable for instrumental students and familiarise them with techniques such as double stops or left-hand pizzicato. Pieces 2 and 3 offer the same music with varying degrees...