Intermediate Sheet Music for Vocal

A delightful suite for Voice and Piano, from Der Vogelhandler by Austrian composer Carl Zeller. This inventive and enduring Opera, in three acts, is based on the Libretto by Moritz West and Ludwig Hel...

Arranged for Voice and Piano by F. Naylor. From the Comic Opera 'The Miner' (Der Obersteiger).

The Gang Show was created by Ralph Reader, who metamorphosised his choreography skills into a fully realised show for girl guides and boy scouts. All in all, he has produced 19 shows on Broadway, 34 i...

Francis Shaw. An opera for young people adapted from a short story by Oscar Wilde. The four scenes set in the Giant's garden give opportunity for topic work on the seasons; summer, winter and springti...

Geoffrey Brace. Adaptation of 'Under The Greenwood Tree' by Thomas Hardy. The musical follows the story fairly closely so directors can feel free to augment dialogue from the original novel if they wi...

Alan Jones and Lawrence Bradle. This true story of the American Twenties lends itself well to musical adaptation. The well-known events of the story are covered in a fast-moving, dynamic sequence of s...

This short opera (duration of 50 minutes), aptly designed for children to perform with modest resources, is a version of the familiar tale, though with certain adaptations. Cinderella is an au pair gi...

Solostimme, Org, [Coro 1stg, Melinstr]

Solostimme, Org, [Coro 1stg, Melinstr]

For as long as there are poets there will be songs. If someone was to put on my tomb: 'Here lies Francis Poulenc, musician to Apollinaire and Éluard': that really would be my finest claim to fame, ' t...

Gesang, Klavier; Sammelband, Partitur. Format: 26 S. - 29,7 x 21 cm.

Gesang; Sammelband, Liederbuch. Format: 80 S. - 21 x 15 cm.

Gesang, Klavier; Partitur. Format: 18 S. - 29,7 x 21 cm.

Gesang, Klavier; Partitur. Format: 21 S. - 29,7 x 21 cm.

Gesang, Klavier; Partitur. Format: 39 S. - 29,7 x 21 cm.

Gesang, Klavier; Partitur. Format: 35 S. - 29,7 x 21 cm.

Einstein on the Beach was a seminal work of opera that broke all the rules, being non-linear, non-narrative, episodic, dreamlike and five hours long. A collaborative creation between Glass and theatri...

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, arranged in D for solo voice and Piano.

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, arranged in E for solo voice and Piano.

For Voice and Piano in the key of F Major.