Intermediate Sheet Music from Bärenreiter Verlag
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The movements of the "Mörike-Chorliederbuch" are among the most beautiful tasks facing choirs today in the field of moderate modernism.
The movements of the "Mörike-Chorliederbuch" are among the most beautiful tasks facing choirs today in the field of moderate modernism.
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Ingenting utanför - Nothing Beyond' is another collaboration between Mårten Jansson and the Swedish poet Einar Askestad. This a cappella choral work deals with sorrow and loss. After a forceful, harmo...
Ingenting utanför - Nothing Beyond' is another collaboration between Mårten Jansson and the Swedish poet Einar Askestad. This a cappella choral work deals with sorrow and loss. After a forceful, harmo...
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Another collaboration between Mårten Jansson and the Swedish poet Einar Askestad is Ingenting utanför/Nothing Beyond. The a cappella work deals with the themes of grief and loss. After a powerful, lam...
Another collaboration between Mårten Jansson and the Swedish poet Einar Askestad is Ingenting utanför/Nothing Beyond. The a cappella work deals with the themes of grief and loss. After a powerful, lam...
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Mehrere Besetzungsmöglichkeiten: Chor, Gemeinde und Orgel, Schlagzeug ad lib. oder Chor a cappella, Schlagzeug ad lib.; Kombination mit den 3 kleinen Meditationen für Instrumente (V,Va,Vc,Hfe) BA6130...
Mehrere Besetzungsmöglichkeiten: Chor, Gemeinde und Orgel, Schlagzeug ad lib. oder Chor a cappella, Schlagzeug ad lib.; Kombination mit den 3 kleinen Meditationen für Instrumente (V,Va,Vc,Hfe) BA6130...
- Mixed Choir (SATB) and Organ
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The best-known Latin texts such as the Marian Antiphon and the Canticle of the Sun of St. Francis have repeatedly inspired composers throughout the centuries. The haunting choral compositions by the w...
The best-known Latin texts such as the Marian Antiphon and the Canticle of the Sun of St. Francis have repeatedly inspired composers throughout the centuries. The haunting choral compositions by the w...
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Tonight I Dance Alone for double choir a cappella is about three short scenes from the life of an old man. We meet him before his wedding, before the celebration of his wedding day and as an old widow...
Tonight I Dance Alone for double choir a cappella is about three short scenes from the life of an old man. We meet him before his wedding, before the celebration of his wedding day and as an old widow...
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'An Elemental Elegy' was commissioned by the internationally acclaimed ensemble Voces8 for their 15th anniversary recording project 'After Silence'. The CD was released in July 2020. Mårten Jansson sa...
'An Elemental Elegy' was commissioned by the internationally acclaimed ensemble Voces8 for their 15th anniversary recording project 'After Silence'. The CD was released in July 2020. Mårten Jansson sa...
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Als Bereicherung sowohl des Instrumentalunterrichts als auch der Konzertliteratur für Blockflöte verstehen sich diese leicht beschwingten, wenn auch musikalisch anspruchsvollen Originalstücke, bei den...
Als Bereicherung sowohl des Instrumentalunterrichts als auch der Konzertliteratur für Blockflöte verstehen sich diese leicht beschwingten, wenn auch musikalisch anspruchsvollen Originalstücke, bei den...
- Recorder Duet
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This edition of David Popper’s cello studies is the first modern publication of these standard works. The Austrian born Popper composed these studies in the late 1890s during his tenure at the Royal C...
This edition of David Popper’s cello studies is the first modern publication of these standard works. The Austrian born Popper composed these studies in the late 1890s during his tenure at the Royal C...
- Cello
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Chorwerke mit Instrumental-Begleitung und Solo-Singstimme - Chorwerke mit Orchester-Begleitung und Solo-Singstimme(n) - Geistlich
Chorwerke mit Instrumental-Begleitung und Solo-Singstimme - Chorwerke mit Orchester-Begleitung und Solo-Singstimme(n) - Geistlich
- Soloists, Choir and Piano
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- Malcolm Bruno
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In 1732, Giovanni Battista Pergolesi composed a vesper in honor of Emidius, the patron saint of Naples who protected the city from earthquakes, which - with the vesper introit "Domine ad adjuvandum" a...
In 1732, Giovanni Battista Pergolesi composed a vesper in honor of Emidius, the patron saint of Naples who protected the city from earthquakes, which - with the vesper introit "Domine ad adjuvandum" a...
- Soloists, Choir and Piano
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- Malcolm Bruno
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- Flute Duet
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Three poems by the French lyricist Louis Amade, known for his texts for Edith Piaf and Gilbert Bécaud, form the basis for a series of pictograms of human emotional states. While keeping to singeable m...
Three poems by the French lyricist Louis Amade, known for his texts for Edith Piaf and Gilbert Bécaud, form the basis for a series of pictograms of human emotional states. While keeping to singeable m...
- Medium Voice and Piano
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Three poems by the French lyricist Louis Amade, known for his texts for Edith Piaf and Gilbert Bécaud, provide the basis for a "sequence of images" of human emotional worlds. While retaining a cantabi...
Three poems by the French lyricist Louis Amade, known for his texts for Edith Piaf and Gilbert Bécaud, provide the basis for a "sequence of images" of human emotional worlds. While retaining a cantabi...
- Medium Voice and Piano
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Unter dem starken Eindruck seiner Liebe zu einer der Töchter der Familie Cermák, wahrscheinlich der älteren, Josefina, schrieb der kaum 24-jährige Dvorák im Juli 1865 seinen ersten Liederzyklus 'Zypre...
Unter dem starken Eindruck seiner Liebe zu einer der Töchter der Familie Cermák, wahrscheinlich der älteren, Josefina, schrieb der kaum 24-jährige Dvorák im Juli 1865 seinen ersten Liederzyklus 'Zypre...
- High Voice and Piano
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Die Vertonung des bekannten Psalms Singet dem Herr ein neues Lied (Ps. 96,1-3) nutzt zur Ausdeutung des Textes starke Dynamik und einem Wechsel von fließenden, blockhaften Akkorden mit schnelleren pol...
Die Vertonung des bekannten Psalms Singet dem Herr ein neues Lied (Ps. 96,1-3) nutzt zur Ausdeutung des Textes starke Dynamik und einem Wechsel von fließenden, blockhaften Akkorden mit schnelleren pol...
- Men's Chorus (TTBB)
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The setting of the well-known psalm Sing unto the Lord a new song (Psalm 96, 1-3) uses strong dynamics and an alternation of flowing, block-like chords with faster polyphonic passages to interpret the...
The setting of the well-known psalm Sing unto the Lord a new song (Psalm 96, 1-3) uses strong dynamics and an alternation of flowing, block-like chords with faster polyphonic passages to interpret the...
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I Never Saw a Moor (Nach einem Text von Emily Dickinson): Die Komposition bringt das unerschütterliche Vertrauen auf Gott zum Ausdruck und damit die zentrale Aussage des Gedichts von Emily Dickinson....
I Never Saw a Moor (Nach einem Text von Emily Dickinson): Die Komposition bringt das unerschütterliche Vertrauen auf Gott zum Ausdruck und damit die zentrale Aussage des Gedichts von Emily Dickinson....
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I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...
I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...
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Kantate zum Sonntag Sexagesimae (Leipziger Fassung) (deutsch/englisch) nach der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Fagott, Viola (...
Kantate zum Sonntag Sexagesimae (Leipziger Fassung) (deutsch/englisch) nach der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Fagott, Viola (...
- 3 Soloists, Mixed Choir (SATB) and Piano
- Piano Reduction
- Wolfgang Stockmeier
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Kantate zum 19. Sonntag nach Trinitatis. Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe (deutsch/englisch). Bass solo, Gemischter Chor-SATB, Oboe (2), Englischhorn, Streicher, Basso continuo
Kantate zum 19. Sonntag nach Trinitatis. Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe (deutsch/englisch). Bass solo, Gemischter Chor-SATB, Oboe (2), Englischhorn, Streicher, Basso continuo
- Low Voice, Mixed Choir (SATB) and Piano
- Piano Reduction
- Olga Kroupová
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Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...
Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...
- Low Voice, Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Olga Kroupová
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Kantate zum 14. Sonntag nach Trinitatis (Deutsch/Englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (2), Horn; Streicher...
Kantate zum 14. Sonntag nach Trinitatis (Deutsch/Englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (2), Horn; Streicher...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Walter Heinz Bernstein
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