Martin Weyer
Der von dem bekannten Musikwissenschaftler und Konzertorganisten Martin Weyer konzipierte Band enthält technisch leichte bis mittelschwere Orgelmusik 'sub communione'. Das breite stilistische Spektrum...
Der von dem bekannten Musikwissenschaftler und Konzertorganisten Martin Weyer konzipierte Band enthält technisch leichte bis mittelschwere Orgelmusik 'sub communione'. Das breite stilistische Spektrum...
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The new edition of Sämtlicher Orgelwerke by Max Reger, conceived as seven volumes, goes back to the volumes of the Reger-Gesamtausgabe edited by Hans Klotz. In a detailed preface, Hans Haselböck comme...
The new edition of Sämtlicher Orgelwerke by Max Reger, conceived as seven volumes, goes back to the volumes of the Reger-Gesamtausgabe edited by Hans Klotz. In a detailed preface, Hans Haselböck comme...
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The new edition of Sämtlicher Orgelwerke by Max Reger, conceived as seven volumes, goes back to the volumes of the Reger-Gesamtausgabe edited by Hans Klotz. In a detailed preface, Hans Haselböck comme...
The new edition of Sämtlicher Orgelwerke by Max Reger, conceived as seven volumes, goes back to the volumes of the Reger-Gesamtausgabe edited by Hans Klotz. In a detailed preface, Hans Haselböck comme...
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As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favo...
As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favo...
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As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favo...
As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favo...
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Karg-Elert für Einsteiger Sigfrid Karg-Elert ist längt kein Geheimtipp unter den Organisten, aber seine Orgelwerke gelten als technisch anspruchsvoll. Ein Heft 'Karg-Elert für Einsteiger' tut Not - Ma...
Karg-Elert für Einsteiger Sigfrid Karg-Elert ist längt kein Geheimtipp unter den Organisten, aber seine Orgelwerke gelten als technisch anspruchsvoll. Ein Heft 'Karg-Elert für Einsteiger' tut Not - Ma...
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In this volume conceived by Martin Weyer, the stylistic spectrum ranges from Portuguese organ music of the 17th century to French and American works of the 19th century. In addition, the volume contai...
In this volume conceived by Martin Weyer, the stylistic spectrum ranges from Portuguese organ music of the 17th century to French and American works of the 19th century. In addition, the volume contai...
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Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were only...
Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were only...
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Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were only...
Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were only...
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Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were prev...
Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were prev...
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Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were prev...
Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were prev...
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This volume, conceived by the well-known musicologist and concert organist Martin Weyer, contains technically easy to moderately difficult organ music "sub communione". The broad stylistic spectrum ra...
This volume, conceived by the well-known musicologist and concert organist Martin Weyer, contains technically easy to moderately difficult organ music "sub communione". The broad stylistic spectrum ra...
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The aim of this practical selection is to offer small and technically easy organ pieces for one- and two-manual instruments, arranged according to the most common keys. It is therefore particularly su...
The aim of this practical selection is to offer small and technically easy organ pieces for one- and two-manual instruments, arranged according to the most common keys. It is therefore particularly su...
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Volume III of the series Leichte Orgelstücke des 19. Jahrhunderts offers part-time organists a further collection of short, non-choral organ pieces for one- and two-manual instruments, arranged accord...
Volume III of the series Leichte Orgelstücke des 19. Jahrhunderts offers part-time organists a further collection of short, non-choral organ pieces for one- and two-manual instruments, arranged accord...
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Leichte Orgelstücke des 19. Jahrhunderts offers part-time organists a collection of short, non-choral organ pieces for one- and two-manual instruments. Unlike the three previous volumes, Volume IV is...
Leichte Orgelstücke des 19. Jahrhunderts offers part-time organists a collection of short, non-choral organ pieces for one- and two-manual instruments. Unlike the three previous volumes, Volume IV is...
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With the 2nd Organ Sonata in A flat major of 1871, we encounter a masterpiece which is already fully formed. The first movement, only loosely related to sonata form in the sense of the title 'Fantasie...
With the 2nd Organ Sonata in A flat major of 1871, we encounter a masterpiece which is already fully formed. The first movement, only loosely related to sonata form in the sense of the title 'Fantasie...
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The 6th Organ Sonata, composed in 1880 in E flat minor, was the first of a series of sonatas in Rheinbergers output which are more strongly symphonic. One of the features they display is the expansion...
The 6th Organ Sonata, composed in 1880 in E flat minor, was the first of a series of sonatas in Rheinbergers output which are more strongly symphonic. One of the features they display is the expansion...
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Die dreisätzige Orgelsonate Nr. 7 in f-Moll op. 127 stammt aus dem Jahr 1881. Auf ein Präludium mit fünf markanten Themen folgt ein Andante, das Rheinberger selbst Jahre später als Rhapsodie für Violi...
Die dreisätzige Orgelsonate Nr. 7 in f-Moll op. 127 stammt aus dem Jahr 1881. Auf ein Präludium mit fünf markanten Themen folgt ein Andante, das Rheinberger selbst Jahre später als Rhapsodie für Violi...
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Die 1891 komponierte Orgelsonate zeichnet sich durch ihre kontrastreiche Gestaltung aus. Der 1. Satz trägt den Titel 'Phantasie' und besteht auf einem Andante amabile, auf den ein Agitato in freier So...
Die 1891 komponierte Orgelsonate zeichnet sich durch ihre kontrastreiche Gestaltung aus. Der 1. Satz trägt den Titel 'Phantasie' und besteht auf einem Andante amabile, auf den ein Agitato in freier So...
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