Intermediate Sheet Music from Baton Music

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

'Revelge' (Reveille) belongs to the finest of the military 'Wunderhornlieder' and was written in 1899: The military bugle call develops in a demonic marcia funebre for the lost soldier. (Higher Voice...