Intermediate Sheet Music from Baton Music
Norwegian composer Edvard Grieg composed the four 'Symphonic Dances Op. 64' in 1896. They draw their inspiration from the earlier folk works collected by Ludvig Mathias Lindeman. Slovenian arranger Gr...
Norwegian composer Edvard Grieg composed the four 'Symphonic Dances Op. 64' in 1896. They draw their inspiration from the earlier folk works collected by Ludvig Mathias Lindeman. Slovenian arranger Gr...
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Norwegian composer Edvard Grieg composed the four 'Symphonic Dances Op. 64' in 1896. They draw their inspiration from the earlier folk works collected by Ludvig Mathias Lindeman. Slovenian arranger Gr...
Norwegian composer Edvard Grieg composed the four 'Symphonic Dances Op. 64' in 1896. They draw their inspiration from the earlier folk works collected by Ludvig Mathias Lindeman. Slovenian arranger Gr...
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Norwegian composer Edvard Grieg composed the four 'Symphonic Dances Op. 64' in 1896. They draw their inspiration from the earlier folk works collected by Ludvig Mathias Lindeman. Slovenian arranger Gr...
Norwegian composer Edvard Grieg composed the four 'Symphonic Dances Op. 64' in 1896. They draw their inspiration from the earlier folk works collected by Ludvig Mathias Lindeman. Slovenian arranger Gr...
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In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
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In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
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In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
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In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
In 1892 Johann Strauss composed 'Ritter Pásmán', a three-act opera with a libretto by Ludwig Dóczi based on a Hungarian narrative poem. When the opera's debut was announced, it was met with great enth...
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German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
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- Rens van Leeuwen
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German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
German composer Felix Mendelssohn composed his opus 24, 'Ouverture für Harmoniemusik' (Overture or Winds) for the court orchestra of Bad Doberan near Rostock his. He was only 15 years and it already d...
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Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
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Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
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Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
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Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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- Gerard Posch
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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- Gerard Posch
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
The third act of Wagner's opera 'Der fliegende Holländer' opens with the 'Entr'acte' and 'Sailors' Chorus': an introduction including motifs associated with the sailors and with the girls' spinning-so...
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Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
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- Gerhart Drijvers
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Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
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- Gerhart Drijvers
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Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
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- Gerhart Drijvers
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Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Z...
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- Gerhart Drijvers
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Nineteenth-century Russian operas almost invariably abound in set dance numbers. Eugen Onegin, composed in 1877, the year of Pyotr Ilych Tschaikowsky's marriage, is no exception. Several of its dances...
Nineteenth-century Russian operas almost invariably abound in set dance numbers. Eugen Onegin, composed in 1877, the year of Pyotr Ilych Tschaikowsky's marriage, is no exception. Several of its dances...
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Nineteenth-century Russian operas almost invariably abound in set dance numbers. Eugen Onegin, composed in 1877, the year of Pyotr Ilych Tschaikowsky's marriage, is no exception. Several of its dances...
Nineteenth-century Russian operas almost invariably abound in set dance numbers. Eugen Onegin, composed in 1877, the year of Pyotr Ilych Tschaikowsky's marriage, is no exception. Several of its dances...
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Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
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- Gregor Kovacic
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Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
Astor Piazzolla (1921 - 1992) was an Argentine tango composer, bandoneon player and arranger. His oeuvre revolutionised the traditional tango into a new style termed 'nuevo tango', incorporating eleme...
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- Gregor Kovacic
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