Intermediate Sheet Music from Boosey & Hawkes

This song by Max Reger originally appeared as a solo song for voice and piano. In this arrangement, the melody appears in all vocal lines creating interest for all of the singers. The lilting melody c...

The setting of Padre Pio's Prayer is after Communion. It was commissioned by the Genesis Foundation and first performed by The Sixteen, conducted by Harry Christophers, in June 2008 at Westminster Cat...

This mass was commissioned for the glory of God in the Millennium Year of Jubilee, and was first performed on the Feast of Corpus Christi by the Choir of Westminster Cathedral, London, with Andrew Rei...

A new carol from composer Will Todd, written for a service of Jazz Carols at St Martin-in-the-Fields, London. Full of jazz inflections, this restrained and reflective piece will be a valuable addition...

Composed in 2011 for Katherine Dienes-Williams and the choir of Guildford Cathedral, Guildford Mass comprises the ordinary of the mass (Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei) in English (Co...

Finzi's Magnificat was composed to commission in 1952 for the choir of Smith College, Northampton, Massachusetts. Intended for a service of Christmas Vespers it therefore excluded the Gloria, closing...

Written on the occasion of a wedding in 2006, Love is beautiful indeed is a setting of a poem by Elizabeth Barrett Browning (1806-61), which is part of the tenth sonnet of her Sonnets from the Portugu...

This setting of the famous hymn words by Reginald Heber, a particularly suitable text for Epiphany, was written in memory of Benjamin Hutto, Director of Music at St John's, LaFayette Square, Washingto...

Commissioned by William Saunders for the Royal Hospital School, Ipswich, in 2013, Exalt us in Your love is loosely based on the words of that school's prayer. Choirs and listeners familiar with Will T...

This energetic and danceable setting of Psalm 33, verses 1 - 4 (in modern English), 5 minutes in length, was commissioned by Worth School and Abbey in the UK in 2018. A highly attractive musical inter...

Adapted from a movement of Arnesen's Stabat Mater for upper voices and orchestra, Eja Mater is arranged for mixed voices with frequent divisi, obligato cello and harp (or piano). This part of the Stab...

Komponiert im Jahr 2011 für Katherine Dienes-Williams und den Chor der Guildford Cathedral, umfasst Guildford Mass die üblichen Texte der lateinischen Messe (Kyrie, Gloria, Sanctus, Benedictus and Agn...

Commissioned by the Armenian State Symphony Orchestra and Chorus for a commemorative event in 2022, this work presents the composer's celebrated Passcaglia for string orchestra of 1995 in a new scorin...

Kim André Arnesen’s Stabat Mater breathes new life into the 13th-century Latin hymn, which portrays the Virgin Mary’s suffering at the crucifixion of her son, Jesus Christ. Amongst the traditional sta...

Written for the 2025 BBC Radio 3 Epiphany Carol Service, broadcast from Pembroke College, Cambridge, Arise, shine sets the first three verses of Isaiah 60: 'Arise, shine, for your light has come, and...

Will Todd’s setting of the Christmas Latin text, O magnum mysterium (O great mystery), was commissioned in 2023 for Unionville High School Chorale and Brandywine Valley Chorale and their conductor Jas...

Chorpartitur.

Composed in 1942, here is Aaron Copland's iconic fanfare arranged for flexible instrumentation. Scored a 4th lower than the original, and authorized by the Copland estate, this edition can be performe...

Paul Lavender arranged the third movement (Allegro Assai) of the popular Symphonic Dances by Sergey Rachmaninoff for wind orchestra. He successfully managed to apply the original's dynamics and drama...

Britten's critically acclaimed opera Peter Grimes was first performed in 1945 and has become a part of the standard repertoire. Additionally, the orchestral concert suite Four Sea Interludes is freque...

'Woodwind and percussion players usually are unfamiliar with the antiphonal brass choir tradition. I made this modern, more easily readable version of Bonelli's classic 1600 Toccata for flexible wind...

Woodwind and percussion players usually are unfamiliar with the antiphonal brass choir tradition. I made this modern, more easily readable version of Bonelli's classic 1600 Toccata for flexible wind e...