Intermediate Sheet Music from Carus-Verlag

In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...

What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...

Bekannt für seine prächtigen Instrumentalwerke und Violinsonaten, wird Heinrich Ignaz Franz Biber weit weniger als Komponist von Kirchenmusik wahrgenommen - zu Unrecht! Seine Werke für den Salzburger...

Bekannt für seine prächtigen Instrumentalwerke und Violinsonaten, wird Heinrich Ignaz Franz Biber weit weniger als Komponist von Kirchenmusik wahrgenommen - zu Unrecht! Seine Werke für den Salzburger...

Bekannt für seine prächtigen Instrumentalwerke und Violinsonaten, wird Heinrich Ignaz Franz Biber weit weniger als Komponist von Kirchenmusik wahrgenommen - zu Unrecht! Seine Werke für den Salzburger...

The title 'Pastoral Mass' originated from my children's song Shepherd Song, as this melody is played by the saxophone at the beginning of the work. The sound of this instrument is reminiscent of a tra...

Die beiden Dichtungen von John Milton L'Allegro (Frohsinn) und Il Pensieroso (Schwermut) beschreiben die Gegensätze dieser beiden Stimmungen. Charles Jennens fertigte daraus, ergänzt durch den dritten...

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Kantate zum 1. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr da tirarsi, 3 Ob, Str, Org

Ratswahl-Kantate. Soli SATB, Coro SATB, 3 Tr, 2 Ob, Timp, Str, Org solo

Bestimmung unbekannt. Soli SATB, Coro SATB, 2 Cor (2 Tr), Timp, Fl, Obda, Str, Org

Kantate zum Sonntag Estomihi. Soli STB, Coro SATB, Tr, 2 Blfl f1, 2 Ob, Str, Org

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, Thomas cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part choral...