Intermediate Sheet Music from Editions Bim

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

This second volume of Anthony Plog’s collection continues the work begun in the first book, with a special focus on articulation. Sixteen etudes, organized by technical themes—legato, triple tonguing,...

For Euphonium (or Trumpet) and String Orchestra or Piano.

Exact instrumentation: small Eb-flugelhorn, cornet, horn, trombone, ophicleide (or 2 cornets, horn, trombone, euphonium or 2 trumpets, horn, trombone, tuba) These 12 quintets, composed between 1848 an...

Gerónimo Giménez (1854-1923) was a Spanish conductor and composer, who dedicated his career to writing zarzuelas, such as La Tempranica and La Boda de Luis Alonso. In 1885, he was named director of th...

These three pieces taken from Monteverdi's opera 'Orfeo' ('La favola d'Orfeo, 1607) were instrumental interludes to be played between scenes. The famous 'Toccata', which Monteverdi also used in his Ve...

Brass quintet and organ (or 2 brass quintets) Fanfare for Canterbury Cathedral was written for and first performed at Canterbury Cathedral, March 11, 1979 by the Delbarton Brass Ensemble, to whom the...

1. Si suoni la tromba One of the most difficult arias in the set, this piece employs a prominent extra-harmonic note (the e''-sharp in the cadence of measure 40 - achieved on the natural trumpet by ''...

In *Prélude et Fugato*, Thierry Thibault combines two flutes and a bassoon into an original ensemble with a rich variety of timbres. The Prélude highlights the fluidity of the melodic lines and the ri...

In *Prélude et Fugato*, Thierry Thibault combines two flutes and a bassoon into an original ensemble with a rich variety of timbres. The Prélude highlights the fluidity of the melodic lines and the ri...

Baratto’s *Concertino* is a brilliant work that offers soloists an excellent opportunity to showcase their virtuosity. Organized into three contrasting movements, this work combines classical elegance...

Baratto’s *Concertino* is a brilliant work that offers soloists an excellent opportunity to showcase their virtuosity. Organized into three contrasting movements, this work combines classical elegance...