James MacMillan Sheet Music for Mixed Choir

A significant addition to the composer's repertory of Latin motets, this is a setting of an antiphon on the Feast of the Seven Dolours of the Blessed Virgin Mary. It was commissioned in 2012 by Sacred...

Setting for double SATB chorus a cappella of an anonymous medieval text about Saint Cecilia, patron saint of musicians.

This setting of a verse from Psalm 43 ('Send out your light and your truth; these themselves led me forth, and they brought me to your holy mountain and to your holy place') with a Gloria Patri was co...

This piece was commissioned by Merton College, Oxford for the Merton Choirbook, a collection of choral music composed to celebrate the 750th anniversary of the college in 2014. It is a setting of some...

This setting of a war poem by Charles Hamilton Sorleys was composed for Genesis Sixteen and performed at the 2015 Cumnock Tryst, James MacMillan's own music festival in Ayrshire, Scotland, to commemor...

Vertonung für gemischten Chor a cappella eines ewigen Dauerbrenners unter den religiösen Texten (Joh 14,15-17; King-James-Bibel). Das Werk wurde von The Elders (einem Zusammenschluss ehemaliger Staats...

Sumptuous a cappella setting of a hymn to the Virgin Mary attributed to Poliziano (15th century). It was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen, whose first perf...

Commissioned for Selwyn College, Cambridge. This is MacMillan's second setting of the sublime poem by John Donne (1572-1631), 'Bring us, O Lord God, at our last awakening into the house and gate of he...

Commissioned by the Cathedral Organists' Association [UK] in celebration of its centenary, and first performed at the Association's annual meeting in York Minster in May 2019. Text: Magnificat and Nun...

Composed in 2021 to commission for the Choir of Westminster Abbey and dedicated to Westminster Abbey Choir School. This is MacMillan's fourth mass setting for exclusively choral forces, following the...

This work was composed in 2020 and was commissioned by the Lord Burghley 500 Foundation for a Service of Thanksgiving in Westminster Abbey to celebrate the 500th anniversary of the birth of William Ce...

Short motet commissioned by St Dominic’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be...

A powerful setting for 8-part choir of three of the Good Friday responses at matins: 'Tenebrae factae sunt', 'Tradiderunt me' and 'Iesum tradidit impius'. Commissioned by Cappella Nova (director: Alan...

This ideal introduction to MacMillan's secular choral music is rich in Scottish flavour, appropriate to its Robert Burns text. Characteristic vocal elements are the ornamental inflections drawn from S...

This short meditative motet was commissioned for the dedication service of the Millennium window by Sir Eduardo Paolozzi in the Resurrection Chapel of St Mary's Episcopal Cathedral, Edinburgh. It is i...

This beautiful unaccompanied work adapts the translated text of a Gaelic elegy by the 19th century poet Evan Maccoll. The words ‘She has gone' dominate the piece and underline its sense of desol...

This motet was commissioned by the Yale Glee Club with a text from the Gospel according to St John, chapter 8:10-11 where Jesus tells the woman taken in adultery to go and sin no more. This 6-minute a...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

The setting of Padre Pio's Prayer is after Communion. It was commissioned by the Genesis Foundation and first performed by The Sixteen, conducted by Harry Christophers, in June 2008 at Westminster Cat...

A setting of verses from Psalm 112 (Latin text). The prize-winning work in the composers' competition held in conjunction with the 2nd Norwich Festival of Contemporary Church Music, 1983. Suitable for...

This is a festive setting and will make a welcome alternative to John Rutter’s ubiquitous setting for similar forces (brass and organ). MacMillan has, as always, been very practical in making a settin...

This mass was commissioned for the glory of God in the Millennium Year of Jubilee, and was first performed on the Feast of Corpus Christi by the Choir of Westminster Cathedral, London, with Andrew Rei...