Michael Talbot Sheet Music for Ensemble
Giuseppe Torelli (1658-1709) was the reputed father of the instrumental concerto; what is not widely known is that he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademi...
Giuseppe Torelli (1658-1709) was the reputed father of the instrumental concerto; what is not widely known is that he also composed sacred vocal music. Discovered in 2001, when the Berlin Sing-Akademi...
- High Voice, 2 Violins and Continuo
- Score and Parts
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This compact sinfonia is an early example of a true chamber sinfonia: that is, an offshoot of the Italian-style operatic overture intended from the start to be a free-standing composition for use in e...
This compact sinfonia is an early example of a true chamber sinfonia: that is, an offshoot of the Italian-style operatic overture intended from the start to be a free-standing composition for use in e...
- 2 Violins, Viola and Continuo
- Score
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Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
- Flute, Strings and Continuo
- Score
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Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
Towards the end of his long life the organist Christian Michael Wolff (1707-1789), resident in the Baltic port of Stettin (today, Szczecin in Poland), achieved a degree of fame as a composer through t...
- Flute, Strings and Continuo
- Score
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Wolff's Concerto in G major for Flute, Strings and Basso Continuo encloses a wistful Largo in E minor between a stately Moderato and a sprightly, dance-like Allegretto. The solo instrument is treated...
Wolff's Concerto in G major for Flute, Strings and Basso Continuo encloses a wistful Largo in E minor between a stately Moderato and a sprightly, dance-like Allegretto. The solo instrument is treated...
- Flute, Strings and Continuo
- Piano Reduction
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Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
- 2 Violins, Cello and Harpsichord
- Score and Parts
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Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
- 2 Violins, Cello and Harpsichord
- Score and Parts
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Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
- 2 Violins, Cello and Harpsichord
- Piano Score and Part(s)
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Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
Stanley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–1760), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the...
- 2 Violins, Cello and Harpsichord
- Piano Score and Part(s)
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Ordinary violin sonatas formed the backbone of the series of ten collections that the Italian violinist Michel Mascitti (1663/4–1760), born in southern Italy but permanently resident in Paris from 170...
Ordinary violin sonatas formed the backbone of the series of ten collections that the Italian violinist Michel Mascitti (1663/4–1760), born in southern Italy but permanently resident in Paris from 170...
- 2 Violins, Strings and Continuo
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Quentin’s trio sonatas are impressive for their command of all the elements of musical composition, particularly counterpoint (fugues are one of his specialities). They mix French and Italian elements...
Quentin’s trio sonatas are impressive for their command of all the elements of musical composition, particularly counterpoint (fugues are one of his specialities). They mix French and Italian elements...
- 2 Violins, Cello and Harpsichord
- Score and Parts
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Quentin’s trio sonatas are impressive for their command of all the elements of musical composition, particularly counterpoint (fugues are one of his specialities). They mix French and Italian elements...
Quentin’s trio sonatas are impressive for their command of all the elements of musical composition, particularly counterpoint (fugues are one of his specialities). They mix French and Italian elements...
- 2 Violins, Cello and Harpsichord
- Score and Parts
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Of Cervetto's six concertos surviving in manuscript five are for cello, but one, which came to light only recently, is for flute, being a clever adaptation of one of his own flute sonatas. This sparkl...
Of Cervetto's six concertos surviving in manuscript five are for cello, but one, which came to light only recently, is for flute, being a clever adaptation of one of his own flute sonatas. This sparkl...
- Flute, 2 Violins, Viola, Cello and Continuo
- Score
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- Trumpet, Oboe, Bassoon, 2 Violins and Continuo
- Piano reduction with part(s)
- Breitkopf & Härtel KG
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Giuseppe Torelli (1658-1709) is today best known for his concertos for strings, in which genre he was a pioneer, and for his music with solo trumpet. In his own day, however, he was equally productive...
Giuseppe Torelli (1658-1709) is today best known for his concertos for strings, in which genre he was a pioneer, and for his music with solo trumpet. In his own day, however, he was equally productive...
- Violin, Cello and Continuo
- Score and Parts
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- 2 Horns, Strings and Continuo
- Score
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These twelve piano miniatures, of increasing difficulty, are a magical distillation of Ming Wang's long-desired encounter with the Alpine landscape: Rustling Brook, Two Marmots, Colourful Clouds, The...
These twelve piano miniatures, of increasing difficulty, are a magical distillation of Ming Wang's long-desired encounter with the Alpine landscape: Rustling Brook, Two Marmots, Colourful Clouds, The...
- High Voice, Violin and Continuo
- Score and Parts
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Greene's seven chamber arias - today, we would call them 'concert arias' - include a set of six that appears to have been custom-written for Faustina Bordoni, the great Venetian diva, during her visit...
Greene's seven chamber arias - today, we would call them 'concert arias' - include a set of six that appears to have been custom-written for Faustina Bordoni, the great Venetian diva, during her visit...
- High Voice, Violin and Continuo
- Score and Parts
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Introduction and Miserere for Contralto, 2 Violins, Viola and Basso Continuo.
Introduction and Miserere for Contralto, 2 Violins, Viola and Basso Continuo.
- Low Voice, 2 Violins, Viola and Continuo
- Score
- Michael Talbot
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Another volume in the continuing series published by Ricordi in cooperation with the Fondazione Giorgio Cini Istituto Italiano Antonio Vivaldi. With critical and historical notes in Italian and Englis...
Another volume in the continuing series published by Ricordi in cooperation with the Fondazione Giorgio Cini Istituto Italiano Antonio Vivaldi. With critical and historical notes in Italian and Englis...
- String Quartet with Vocal(s) (Low Voice, 2 Violins, Viola and Double Bass)
- Score
- Michael Talbot
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Psalm 109 per due soprani, contralto, e due tenori solisti, coro a quattro voci miste, due oboi, tromba, due violini, viola e basso
Psalm 109 per due soprani, contralto, e due tenori solisti, coro a quattro voci miste, due oboi, tromba, due violini, viola e basso
- 5 Soloists, Mixed Choir (SATB), 2 Oboes, Trumpet, 2 Violins, Viola and Continuo
- Score
- Michael Talbot
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- High Voice, Violin, Viola and Continuo
- Score
- Michael Talbot
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Trp,Str,Bc
- Trumpet, Strings and Continuo
- Score and Parts
- Breitkopf & Härtel KG
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Trp,Str,Bc
- Trumpet, Strings and Continuo
- Score and Parts
- Musica Rara
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Introduction and Gloria for Contralto, 2 Violins, Viola and Basso Continuo.
Introduction and Gloria for Contralto, 2 Violins, Viola and Basso Continuo.
- Low Voice, 2 Violins, Viola and Continuo
- Score
- Michael Talbot
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