Mixed Choir with Orchestra

Orchestration: Flute, 2 Oboes (2nd db Cor Anglais), Bassoon, Horn in F, Trumpet in C, Bass Trombone Strings (Violin 1, Violin 2, Viola, Cello, Bass) Soprano solo, Mixed Voice Choir (SATB) In 2014 the...

One of Berlioz's greatest works, the Grand Messe des Morts is written for Tenor Solo, SSTTBB Chorus and Orchestra. The scale of this work should not be underestimated: it runs at an hour and a quarter...

Anton Bruckner composed his Mass No. 1 in D minor for soloists, mixed choir, orchestra and organ in 1864, and then later revised it in 1876 and 1881-1882. Vocal score, in Latin. 76 pages. Includes: Ky...

A Choral Worship Cantata in SATB divisi with SATB Soli voicing, composed by Anton Bruckner.

A Choral Worship Cantata in SATB divisi with SATB Soli voicing, composed by Anton Bruckner.

The vocal score for 'Saint Ludmila' by Antonín Dvorák, scored for Soli, Chorus and Orchestra. Featuring a libretto by prominent Czech poet Jaroslav Vrchlický.

She Will Transform You is centred around a powerful poem by Indian-American author Neelanjana Banerjee. The text explores the special relationship of an immigrant and her child to their country of ori...

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...

In Georg Philipp Telemann's Orpheus opera, the focus is not on Eurydice but on Queen Orasia, who is in mad but unrequited love with the legendary singer. The first documented performance of the work t...

The occasion for which W. A. Mozart composed the Kyrie in D minor K. 341 (368a) is not known; the arrangement and instrumentation suggest the intention of a large-scale mass which, however, remained u...

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it poss...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

Kaija Saariaho’s Oltra Mar for chorus and orchestra was commissioned by the New York Philharmonic and had its world premiere in 1999 under the baton of Kurt Masur. It includes text by Amin Maalouf and...