Mixed Choir with Organ

For SATB and organ or piano. Shepherds, guarding your flocks is an expressive setting of a carol by Canon Matthew Woodward. Bullard skilfully conveys the text's wondrous and exultant narrative in a se...

First published in Carols for Choirs 5, this is a touching setting of the well-known fifteenth-century words. The contours of Stroope's melodic writing perfectly mirror the narrative from the manger s...

This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting te...

This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting te...

This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting te...

Shepherds, guarding your flocks is an expressive setting of a carol by Canon Matthew Woodward. Bullard skilfully conveys the text's wondrous and exultant narrative in a setting that will be accessible...

This simple and attractive carol sets a little-known text by the Rev. Canon John Gray (1866-1934). With an accompaniment for either organ and piano and optional soprano solos, this piece is accessible...

This light-hearted arrangement is a guaranteed crowd-pleaser and perfect encore. The familiar tune comes with a modern twist, with a driving rock beat, innovative harmonisations, and playful imitation...

This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting te...

With a colourful text by Brian Wren, the mystery of the Christmas story is explored through shifting time signatures and intertwining vocal lines in this carol.

Ideal for a carol service or concert, this piece follows the three Kings on their journey to the birth of Jesus and is characterised by its alternation of major and minor modes.

Intricate counterpoint and a continuo-style bassline bring a medieval flavour to Williams' arrangement of this much-loved carol. The gentle vocal lines build in texture throughout, with optional suppo...

Intricate counterpoint and a continuo-style bassline bring a medieval flavour to Williams' arrangement of this much-loved carol. The gentle vocal lines build in texture throughout, with optional suppo...

With words by the composer, Archer's carol joyfully describes the Nativity story with a lilting melody in 3/4 time. The voices culminate in a powerful unison statement with an angelic descant, all the...

Setting a well-loved medieval text, this effective piece paints the story of Jesus through lyrical melodies and beautiful harmonic surprises. The vocal lines offer both powerful intensity and skilful...

For his expressive and accessible arrangement of the popular melody known to many as 'Carol of the Bells', Whitbourn has written new lyrics that reflect the melody's true heritage, the Ukrainian folks...

For his expressive and accessible arrangement of the popular melody known to many as 'Carol of the Bells', Whitbourn has written new lyrics that reflect the melody's true heritage, the Ukrainian folks...

Full score and set of parts for Bob Chilcott's The first Nowell. The six verses of this tuneful and lilting carol deftly marry variety and diversity to create an attractive shape. This set contains th...

Sing we now of Christmas is an arrangement of the early 16th-century French Christmas carol, Noël nouvelet. The music is familiar, approachable, dynamic, and engaging, and the optional percussion part...

This carol, extracted from James MacMillan’s Christmas Oratorio (2020), is an arrangement of the traditional Hebridean melody, ‘Tàladh Chrìosda’, with English text derived from the Scottish Gaelic of...

Melodie und Text: 14. Jh. Satz 1 von Johann Walter, Satz 2 von Robert Lucas Pearsall aus der Motette 'In dulci jubilo'

The final chorus from the Christmas Cantata, BWV 142.