Piano Excerpts

Béla Bartók's Mikrokosmos is one of the key works of 20th-century piano music. The repertoire comprises educational pieces 'from the very first beginning' as well as concert literature, thus making th...

Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...

Handel composed his first Italian oratorio 'La Bellezza ravveduta nel trionfo del Tempo e del Disinganno' in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili w...

Piano reduction based on the Urtext of the New Mozart Edition and taking into account the ninth discovered Salzburg version - Motet. Soprano solo, oboe (2)/ flute, horn (2), strings, organ - piano red...

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

George Frideric Handel's Dixit Dominus was published as early as 1960 as part of the then still young Hallische Händel-Ausgabe. A critical report was not presented, so that in cases of doubt the basis...

Soprano solo, tenor solo, bass solo, mixed choir: SSATTB, violin (2), viola (2), cello, double bass, oboe (2), bassoon (3), recorder (2), horn (2), timpani, basso continuo (harpsichord, organ, bassoon...

Messiah' occupies a unique position in Handel's work. Its strongly universal character and directness of expression, which appeal to men of all creeds, make it the most renowned work in the whole of t...

Klavierauszug nach dem Urtext der Haydn-Gesamte - Oratorio (Funeral Music). Vocal Score based on the Urtext of the Haydn Complete Edition. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor...

Piano reduction, supplementary edition to the New Mozart Edition - Credo and Sanctus reconstructed and completed by Helmut Eder. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir (2)-SAT...

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott (2), Trp. (2) 3 Pos, Pauke, Streicher, Orgel - Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe.

Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, bassoon, trumpet (2), trombone (3), timpani, strings, organ

Piano reduction after the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, bassoon, trombone (3), strings, organ - piano reduction

Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, bassoon, trumpet (3), trombone (3), timpani, strings, organ - piano red...

Claudio Monteverdis 'Vespro della Beata Vergine' ist sicher eines der populärsten geistlichen Werke des 17. Jahrhunderts. Neben zahlreichen Einspielungen wird es immer wieder ganz oder in Teilen aufge...

Immediately after completing Paulus in 1836, Mendelssohn considered composing another oratorio. However, a whole decade was to pass before he composed 'Elijah', which is based on the story of the bibl...

Soprano solo, alto solo, tenor solo, bass solo, gemCh (SATB), piano, trombone (3), timpani, strings, organ - piano reduction; Urtext edition

Edited by Christina M. Stahl and Michael Stegemann Piano reduction by Martin Focke The Messe de Requiem is probably Gabriel Fauré's best-known and most frequently performed work internationally. After...

S, A, T, B, 4-stimmiger gemischter Chor und Orchester - Klavierauszug

The Mass in E-flat major was written in 1828, during the last months of Schubert's life. Like many of his important late works, such as the C major Symphony or the song cycle Die Winterreise, Schubert...

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor, Orchester

There is hardly a work by a contemporary with which Bach demonstrably occupied himself as often and intensively as with Keiser's "St. Mark Passion". A total of three performances can be proven, for ea...

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “T...