Robert Schumann: Intermediate Sheet Music

In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...

These pieces, originally written for violoncello (violin), can be arranged for the clarinet without difficulty due to their simplicity and song-like structure. Korody-Kreutzer mainly kept the original...

Schlichtheit und liedhafte Form der im Original für Violoncello (Violine) geschriebenen Stücke lassen die Bearbeitung für Klarinette ohne weiteres zu. Unter Belassung des originalen Klaviersatzes hat...

Theme with Variations, composed by Robert Schumann and transcribed by Julian Bream for classical guitar solo in digital sheet music format.

A rather unusual Piano work in five movements, composed in 1839. Although more integrated than a Suite, it is not quite a Sonata.

This is a Piano transcription by Liszt of one of Schumann's best-loved songs - written, as were so many of his Lieder - in 1840, the year Robert Schumann married Clara Wieck. The text is by Friederich...

Robert Schumann's 'Frühlingsnacht' ('Spring night') was one of his most popular songs even in the 19th century. Franz Liszt made a piano arrangement of it that in the space of under 70 measures emerge...

The Henle catalogue contains almost all of Schumann's works for piano in top quality editions. With the publication of op. 32 we are filling an important gap. In or-der to help his 'Neue Zeitschrift f...

It was in February 1854, a few weeks before Robert Schumann's admission to the psychiatric hospital in Endenich, that he wrote his variations on a theme in E-flat major. Because of the extraordinary,...

Schumann kept coming back to variation form. He often wrote his own variations in contrast to those on popular (operatic) themes, with which piano virtuosi of the time flooded the market. The 'Impromp...

The Novelettes arose at roughly the same time as the Kinderszenen and share the same largely untroubled mood. Writing to Clara Wieck, Schumann could exclaim 'I've written such a frightful amount of mu...

Following Schumann's move to the Rhine, where he had become the musical director of the Düsseldorf Music Society, times became hard for him. Despite several initial successes, he increasingly encounte...

'Even for me it is a strange and wonderful fact that almost every motif which forms within me bears the characteristics for multiple contrapuntal combinations', Schumann wrote to Mendelssohn. 1845 was...

As he was interested in politics, Schumann took an active interest in the democratically motivated unrest in spring 1848. The following year he directly witnessed the May uprising in Dresden, after wh...

To commemorate the 200th anniversary of Robert Schumann's birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works...

To commemorate the 200th anniversary of Robert Schumann's birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works...

To commemorate the 200th anniversary of Robert Schumann's birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works...

To commemorate the 200th anniversary of Robert Schumann's birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works...

Robert Schumann's Faschingsschwank aus Wien op. 26 is one of the composer's most popular and most studied piano cycles. Originally conceived as a 'great romantic sonata', the rondo-like first movement...

Three Romances op. 28 by Robert Schumann is a highlight of Romantic piano music, reflecting the broad facets of everything that could be seen as 'romance' in 19th-century music. The new edition is bas...

2 Violins, 1 Viola, 1 Cello, 1 Contrabass

Schumann's second violin sonata was written in October/November 1851, only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata, especially in the...

Schumann's Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as Second only to Beethoven's Sonata in A. Sonatas Op. 10...