Robert Schumann Sheet Music for Orchestra

An ihrem 34. Geburtstag erhielt Clara Schumann von ihrem Mann nicht nur einen Flügel, sondern auch gleich das neueste Notenmaterial. Darunter fand sich unter anderem das einsätzige Concert-Allegro mit...

Das Klavier ist auf das feinste mit dem Orchester verwebt. Man kann sich das Eine nicht denken, ohne das andere. [...] Der Pianist ist in diesem Klavierkonzert nicht nur Solist, sondern auch Orchester...

Schumann's Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann's original version of his Cello Concert...

Schumann, The Symphonies 5 study scores in slipcase

Something "completely new and unheard-of" would be offered to the audience, Robert Schumann wrote to Franz Liszt at the end of 1851, referring to the premiere of his "dramatic poem" Manfred. Already a...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Immediately after finishing his First Symphony in B flat major op. 38, Robert Schumann wrote the present D minor Symphony in 1841. Despite its successful world premiere at the Leipzig Gewandhaus on 4...

Die Neue Robert Schumann-Ausgabe (RSA) versteht sich als historisch-kritische Gesamtausgabe. Gemäß dem neuesten Stand der musikwissenschaftlichen Editionstechnik sollen sämtliche Werke sorgfältig aufb...

Die Neue Robert Schumann-Ausgabe (RSA) versteht sich als historisch-kritische Gesamtausgabe. Gemäß dem neuesten Stand der musikwissenschaftlichen Editionstechnik sollen sämtliche Werke sorgfältig aufb...

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...

The title of this symphony goes back to the conductor W. J. von Wasielewski, alluding to the Rhenish cheerfulness of Düsseldorf where Robert Schumann had found a new home, although this goes against S...

The fact that Ouverture, Scherzo und Finale is hardly known may be due to the dif? culty of categorizing it. In letters and notes, one can occasionally ?nd the designation 'suite', 'symphoniette' and...

The present volume contains four independent overtures. Whereas the overtures of Schiller's 'Bride of Messina', Shakespeare's 'Julius Caesar' and Goethe's 'Hermann and Dorothea' reveal literary and dr...

Revised version by the Gustav MahlerGesellschaft, Vienna

Even if Schumann falls back on the hymnbook when choosing the text of his Advent Song, the composition probably was politically motivated and, still under the impressions of the revolutionary years of...

On 10 December 1852 Robert Schumann wrote that his Missa sacra was a work 'of medium size, not difficult to perform' and 'suited for church and concert use'. But the composer himself never saw a...

As late as 1830, Robert Schumann described himself as 'religious without religion'. Nevertheless, in 1852, he composed within four months not only Missa sacra but also his Requiem, a touching work whi...

Schumann's Piano Concerto is known all over the world, yet despite its popularity it remains in a certain sense an undiscovered work. The aim with this edition is not only to provide a critical score...

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editori...

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“, schreibt Robert Schumann im Januar 1851 - und das, obwohl er bis dato kaum als Komponist geistlicher Musik...

Turning one's energy to sacred music remains the artist's highest goal, wrote Robert Schumann in January 1851 - even though he had hardly appeared as a composer of sacred music up to that point. In fa...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...