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Funeral music plays an important role in music history for the articulation of grief and sorrow is an essential task of music. The important German organ composer Harald Genzmer (born in 1909) wrote h...

Taking as a basis the events at the funeral service for Pope John Paul I, the conclave, the inauguration of the new pope, and the visit of Benedict XVI at the Synagogue of Cologne, through Benedicere...

The quartet 'do-re-mi-bassoon' was written by the composer Barbara Heller in 2009 for the bassoon quartet of the same name of the Frankfurt Youth Music Ensemble. Heller developed a memorable motif fro...

In this composition Barbara Heller uses the song Lalai created in Tehran in 1973. It is a song of resistance against the Shah regime and is about a mother who sings a lullaby to her child and tells th...

Die galanten Kompositionen des Flötenlehrers Friedrichs des Großen erfreuen sich bei Freunden der Kammermusik seit langem großer Beliebtheit. Die hier veröffentlichte Triosonate wurde von Quantz alter...

The composer was one of the circle of musicians and composers gathered about the music-loving Frederic II of Prussia. As early as 1734 the Crown Prince mentioned his name as a member of the Ruppin orc...

First edition based on a Dresden manuscript of Pisendel. Up until now, the sonata has been available in G major only, which is kept in the archives of the Berliner Liedertafel. As a result of more rec...

Die Sonate in G-Dur von Franz Xaver Richter wurde den 'VI Sonate da camera a Cembalo obligato, Flauto traverso o Violino concertato e Violoncello' entnommen. Die Aussetzung des teilweise bezifferten B...

In 2000, the Expo in Hanover saw the world premiere of this arrangement of two parts from the opera Der Rattenfänger by Wilfried Hiller and Michael Ende. The myth about the Pied Piper is placed in a n...

'Kaddish (Aramaic: 'holy') is the Jewish mourning prayer recited for the dead. My Kaddisch für David Stahl was conceived to honour the memory of the long-serving chief musical director of the Staatsth...

Im Frühjahr 2012 schrieb ich für das Duo Imaginaire ein knapp viertelstündiges Werk für die ganz ungewöhnliche, aber umso reizvollere Duobesetzung von Klarinette und Harfe. Der romantisch-ironische Ti...