Scores for Orchestra

Subtitled as a "dramatic monologue", Ariadne Theseo (Ariadne's letter to Theseus) for mezzo-soprano and orchestra, should be seen as echoing Claudio Monteverdi's famous Lamento d'Arianna. It is writte...

The first thing that stands out in the overture is the instrumentation, which includes two harps and a celeste. We hear these instruments, in an andante in 3/8, for 22 of the first 24 bars. Their timb...

Details: piano, percussion and full orchestra (3333, 4331, timp., 2 perc., hpe, 65433)

Details: three solo voices, children's choir, mixed choir and orchestra (2222, 2221, timp., 3 perc., celesta, hpe, strings)

Georg Abraham Schneider (1770-1839) erhielt eine Ausbildung auf fast allen Instrumenten bei J. W. Mangold, Geiger an der Hofkapelle Darmstadt und Stadtmusikus. Siebzehnjährig wurde Schneider als Hautb...

1. Allegro ma non troppo 2. Adagio ma non troppo 3. Polacca moderato Orchesterbesetzung: Fagott solo 1,2 Flöte Klarinette 1,2 Horn 1,2 Trompete 1,2 Pauken Streicher

The standard work of the viola literature unites what ennobles the high school of the classical repertoire: Virtuoso playing mood, melodic impetus, cleverly designed modulations along with impeccable...

First quarter of an hour: Aufzug Second quarter of an hour: Städtertanz und Schelmenstück Third quarter of an hour: Bauernerntanz und Nachtstück Fourth quarter of an hour: Kehraus.

Our edition is the first to attempt to reconcile both the demands of a faithful and meaningful printing of the work and those of the performing musicians.

The nostalgic, serene and elegiac Concerto is perfectly suited to the expressive possibilities of the instrument. It now belongs to the repertoire.

2 (Pic), 2 (EHn), 2 (BK1), 2/ 2, 2, 2, 0 / 2 Schlzg / Hf, Klav, Cel (Akk) / Str.

A central work of Joseph Suder, completed in 1925, which is one of his most frequently performed orchestral works. In this highly romantic and expressive work he found the principle of thematic synthe...