Scores for Orchestra

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...

Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' most popular works today, and they were the most profitable f...

The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on...

Written by James Lord Pierpont (1822-1893) in 1850 and published in 1857 under the original title "The One Horse Open Sleigh," Jingle Bells has since become one of the most popular and well-known Amer...

The text to the well-known Christmas carol O Little Town of Bethlehem comes from an 1868 text written by Episcopal priest Phillips Brooks. It is popular in the United States, United Kingdom, Canada, a...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...

The MAURERISCHE TRAUERMUSIK (MASONIC FUNERAL MUSIC) in C minor, K. 477/K. 479a by Wolfgang Amadeus Mozart (1756 - 1791) was composed in 1785 as a member of the Freemasons. It was performed during a Ma...

Montage was composed by Donald O. Johnston (b. 1929) in 1989. Divided into two sections, an Introduction presents the materials that are to be developed in the Fugue that follows. Instrumentation: 2.2...

Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...

JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünf...

It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....

The three-act operetta FATINITZA by Franz von Suppé (1819-1895), based on a libretto to Daniel Auber's opera LA CIRCASSIENNE by Eugène Scribe, is based on historical events during the Crimean War. Pre...

Peter Ilyitch Tchaikovsky (1840-1893) began work on a Symphony in E-flat after the completion of his fifth. Intending his sketches to become his sixth symphony, the composer abandoned the work as too...

Best known as the composer of the anthem JERUSALEM, Charles Hubert Hastings Parry (1848-1918), wrote a number of songs for choir and orchestra. One of these, BLEST PAIR OF SIRENS (AT A SOLEMN MUSIC),...

Ramuntcho was a 1897 novel by Pierre Loti for which Gabriel Pierné (1863-1937) composed incidental music for a 1908 staged version. Pierné extracted two suites from the Basque-inspired incidental musi...

Percy Grainger (1882-1961) wrote the suite IN A NUTSHELL in 1916, originally scored for large orchestra, although both a solo piano and a 2-piano version followed that same year. The work consists of...

Belgium singer, actor, and composer Jacques Brel (1929-1978) wrote the music and lyrics for Ne me quitte pas (If You Go Away) in 1959. The song was later adapted with English lyrics by Rod McKuen, and...

The 1962 song TI GUARDERÓ NEL CUORE, known internationally by the title MORE, was written by Riz Ortolani and Nino Oliviero for the Italian documentary film MONDO CANE. Winning the Grammy Award for Be...

SEID UMSCHLUNGEN, MILLIONEN (BE EMBRACED, YOU MILLIONS), OP. 443, is a waltz composed by Johann Strauss II in 1892. It was originally requested for a journalists' ball by his friend Julius Stettenheim...

THOUSAND AND ONE NIGHTS INTERMEZZO (TAUSEND UN EINE NACHT INTERMEZZO) is named after the opera INDIGO UN DIE VIERTZIG RAEUBER (INDIGO AND THE FORTY THIEVES) by Johann Strauss II. Premiered on February...

Compiled and arranged by Hungarian-born conductor and composer Antal Dorati (1906-1988), LA VIE PARISIENNE: OVERTURE ON THEMES BY OFFENBACH is among the most delightfully charming light works in the o...

Ernst Toch's (1887-1964) CIRCUS: AN OVERTURE, written in 1953 is meant to evoke the atmosphere of a circus and recalls some of the most common types of music heard there. The piece opens and closes wi...

The development of the music that Richard Strauss (1864-1949) wrote for the orchestral suite, Op. 60, tells a complicated history. Originally, he and his librettist Hugo von Hofmannsthal collaborated...

Jokey-Polka, Op. 278, by Josef Strauss (1827-1870) was written originally for piano in 1870. This arrangement for orchestra of the fast polka (polka schnell) was completed by Austrian composer, arrang...