Sheet Music Downloads by Richard Lane

Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...

Richard Lane was 44 when he composed this 'Dialogue' for flute and piano in February 1987 for his friends Erich and Erna Laury, two prominent psychiatrists whose avocation was music performance at a p...

Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...

As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...

Richard Lane composed most of his 500 or so works for his circle of musician friends and each piece reflects the affection and admiration he felt for each of them. This little suite for flute and guit...

Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...

In 1966, New York clarinetists Jack Kreiselman and Daniel H. Leeson were engaged to play the two Mendelssohn concert pieces at the Brooklyn Museum (broadcast live on WNYC radio). Daniel Leeson asked R...

In 1963, I played in a trio with the astonishingly beautiful combination of clarinet, viola and piano. Mozart, with his trio ''Kegelstatt'' (KV. 498) from August 9, 1786, probably composed the first a...

Richard Lane composed this second trio for viola, B-flat clarinet and piano in 1981 at my request, as I had an excellent chamber music class at Queensborough Community College at the time. The premier...

Score and solo parts In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard La...

In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard Lane to consider writing...

Richard Lane and I were both drafted into the U.S. Army in October, 1956 and met during our second session of basic training at the Band School, Ft. Dix, New Jersey in January, 1957. We became immedia...

In 1993, Richard Lane was commissioned by Ron Levy and the Manchester Chamber Players (Vermont, USA) to write this Trio for viola, cello and piano. The first movement depicts a playful and blissful di...

The Palisades Virtuosi, now officially in its fourth season, was formed by three musician friends (Margaret Swinchoski, flute; Donald Mokrynski, clarinet; Ron Levy, piano). Quickly exhausting the exis...

In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...

Theme and Variations is based on 'Sweet Adeline', a very romantic but outdated American melody from the end of the 18th century, which was often successfully programmed by the so-called barbershop qua...

As a booster of contemporary music, it has always been my personal credo to premiere a composition at my concerts. When the Lincoln Center for the Performing Arts (NYC) asked me to perform a series of...