Sheet Music by Symétrie for Discriminating Musicians

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

This motet was composed at the request of Roman Champion for his vocal ensemble L'offrande lyrique de Versailles which first performed it in April 2011. It mainly uses the text of the Maundy Thursday...

This motet was composed at the request of Roman Champion for his vocal ensemble L'offrande lyrique de Versailles which first performed it in April 2011. It mainly uses the text of the Maundy Thursday...

This Magnificat primi toni attributed to Cristóbal de Morales comes from the manuscript 5 of the Valladolid Cathedral and has not been listed in any printed edition until this day. Morales Magnificats...

The importance Morales gave to the writing of masses is well known, even if it is paradoxically his less performed repertoire. Though most of his masses were printed, a few examples of manuscript mass...

The source of this publication is the manuscript 5 from the Cathedral of Valladolid, which contains the only (anonymous) vocal copy of the motet In diebus illis, unlisted in the composer's catalogues....

Every singer knows Gabriel Fauré's art songs. They are to French language and impressionism what Schubert lieder are to German language and romanticism. Where the piano of Schubert is madrigalesque, d...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

Between 1879 and 1891, Ernest Chausson composed ten motets. Only the Ave verum corpus (1883) was published during his lifetime. Tota pulchra es, Maria (1886) and Pater noster (1891) were published by...

In the publishing catalogues of the last thirty years, it is difficult to find works in quintet form, combining percussion with string quartet. This is because the questions posed by this arrange- men...

Between 1879 and 1891, Ernest Chausson composed ten motets. Only the Ave verum corpus (1883) was published during his lifetime. Tota pulchra es, Maria (1886) and Pater noster (1891) were published by...

The source of this edition is a manuscript probably copied between 1780 and 1799 and kept at the library of San Pietro a Majella Conservatory of Music in Naples. We would like to thank the head librar...

The source of this edition is a manuscript probably copied between 1780 and 1799 and kept at the library of San Pietro a Majella Conservatory of Music in Naples. We would like to thank the head librar...

The source of this edition is a manuscript probably copied between 1780 and 1799 and kept at the library of San Pietro a Majella Conservatory of Music in Naples. We would like to thank the head librar...

Among his very first experimentations in composition (1917- 1920), Henri Sauguet sketched out a few art songs on poems by Koutchak, Cocteau and Apollinaire.These art songs have remained unpublished ac...

All his life, Sauguet had been in touch with artists of diμerent generations and backgrounds: composers of course, interpreters, choreographers and dancers, poets, actors, painters and decorators, fil...

This work is the result of two encounters of mine. With Pierre-Yves Pruvot, a baritone, who remarkably sang the solo part of my Psalms and who urged me to write for him a piece with the music group of...

Debussy published in 1915 the Six Épigraphes antiques for four-hands piano (as well as a version for two-hands piano) written from the themes of an incidental music composed 15 years earlier. This mus...

Debussy published in 1915 the Six Épigraphes antiques for four-hands piano (as well as a version for two-hands piano) written from the themes of an incidental music composed 15 years earlier. This mus...

Debussy published in 1915 the Six Épigraphes antiques for four-hands piano (as well as a version for two-hands piano) written from the themes of an incidental music composed 15 years earlier. This mus...

Debussy published in 1915 the Six Épigraphes antiques for four-hands piano (as well as a version for two-hands piano) written from the themes of an incidental music composed 15 years earlier. This mus...

Debussy published in 1915 the Six Épigraphes antiques for four-hands piano (as well as a version for two-hands piano) written from the themes of an incidental music composed 15 years earlier. This mus...

Debussy published in 1915 the Six Épigraphes antiques for four-hands piano (as well as a version for two-hands piano) written from the themes of an incidental music composed 15 years earlier. This mus...