Sheet Music by Symétrie for Discriminating Musicians

John Milton's "Paradise lost" begins with the vision of Satan and his fainted angels in the burning lake of Hell after their vertiginous fall into the great Abyss. It is only after a few chapters that...

John Milton's "Paradise lost" begins with the vision of Satan and his fainted angels in the burning lake of Hell after their vertiginous fall into the great Abyss. It is only after a few chapters that...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

In 1792, the political upheavals in Paris came along with an aesthetic revolution. Artists demonstrated a deliberate, at times opportunistic, attempt to turn their backs on the melodic refinements and...

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...

Details: 4 flutes (two of which play the small and bass flutes), 2 oboes, 1 English horn, 4 clarinets (the third plays the bass clarinet and the fourth the contrabass clarinet), 2 bassoons, 1 contraba...

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

Far from being an isolated work in Max d'Ollone's production, Sous-Bois (Underwood) belongs with L'Été, Hymne and Dans la tempête to a set of four chorus written in the particular context of the compe...

Far from being an isolated work in Max d'Ollone's production, Pendant la tempête belongs with L'Été, Hymne and Sous-Bois to a set of four chorus written in the particular context of the competition fo...

Around 1939, Max d'Ollone orchestrated Sposalizio, a piano piece from the second set of Franz Liszt's Years of pilgrimage (1858). It is his only known orchestration. The original work was inspired by...

The Piano Concerto in B minor op. 3 (MoszWV 160) was composed during his time in Berlin at the Neue Akademie der Tonkunst where Moszkowski became a teacher in 1872 while he was still a student. Togeth...

John Milton's "Paradise lost" begins with the vision of Satan and his fainted angels in the burning lake of Hell after their vertiginous fall into the great Abyss. It is only after a few chapters that...

Subtitled as a "dramatic monologue", Ariadne Theseo (Ariadne's letter to Theseus) for mezzo-soprano and orchestra, should be seen as echoing Claudio Monteverdi's famous Lamento d'Arianna. It is writte...

Hérold's second, and last, symphony, the 2nd Symphony in D major, was composed in Naples in May 1814. In a letter to his mother, the composer writes: "Many greetings to Mr. Méhul. I have just written...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

In 1792, the political upheavals in Paris came along with an aesthetic revolution. Artists demonstrated a deliberate, at times opportunistic, attempt to turn their backs on the melodic refinements and...

Though listed in all d'Indy catalogues and biographies, the Italian Symphony had long remained unpublished. D'Indy was just 18 when he wrote these lines. When he obtained his French literature "Baccal...

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, Sous-Bois (Underwood) belongs with L'Été, Hymne and Dans la tempête to a set of four chorus written in the particular context of the compe...

Far from being an isolated work in Max d'Ollone's production, Pendant la tempête belongs with L'Été, Hymne and Sous-Bois to a set of four chorus written in the particular context of the competition fo...