Sheet Music by Women Composers for Viola: Solo & Ensemble Works

Das Stück ist ein Teil des Balletts Wild Swans, das Meryl Tankard 2002 im Opernhaus Sydney auf Grundlage des Märchens Die wilden Schwäne von Hans Christian Andersen choreographiert hat. Ursprünglich m...

This small suite of three solo pieces was written for violist Deborah Lander, a member of the Sydney Alpha Ensemble, which recorded Kats-Chernin's first portrait CD Clocks for ABC Classics in 1997. Th...

Three angels sang a sweet song, which sounded far into the high heaven ... This song, which is at least 400 years old, is the basis of the Fantasia: the memorable beginning of the song is easily perce...

UA Gschwend, 14. November 1998

The edition is part of the Trinity syllabus 2007 (grade 7)

Clouds is a solo piece that evokes the ever-changing nature of clouds. Sometimes light and fleeting, sometimes denser, and occasionally heralding a thunderstorm, they always give way to fair weather....

Clouds is a solo piece that evokes the ever-changing nature of clouds. Sometimes light and fleeting, sometimes denser, and occasionally heralding a thunderstorm, they always give way to fair weather....

Das Werk hat eine Länge von 5 Minuten und wurde im Sommer 2022 komponiert. Es ist ein Auftragswerk von Pierre Henri Xuereb und ist ihm gewidmet. Während der Uraufführung war auch das älteste chinesisc...

Die Sonata für Violine und Klavier ist das einzige Werk, dem ich die klassische Sonatenform gegeben habe, als Tribut an dieses in der Geschichte der europäischen Musik so bedeutende Formprinzip. (L. M...

Gyroskop is a contemporary Art of Bowing fro the Viola. Although difficult to classify, this mercurial work in two movements is a satisfying challenge to the viola player and fascinating sonic journey...

Melia Watras; a foremost performing violist and professor of viola; has commissioned a good number of composers for new works for her instrument. In her commission of Ran; she requested that a startin...

This tour de force consists of two movements that are complete opposites. Movement I; titled Momentum; starts with the viola and piano aggressively  sharing a single note. Things start swirling out of...

Juxtaposing soulful cantabile with capricious rhapsody, BREAKING BREAD culminates in a quotation from the African American spiritual Let Us Break Bread Together, the only clue to the meaning behind th...

YangKo, an important form of mass folk-dance that originated in northern China, has recently become popular throughout the entire country. In YangKo, the performers not only dance, but they play rhyth...

The solo viola repertoire has been enriched by this plaintive memorial work, originally for solo violin - the instrument in which composer Chen Yi was trained as a performer. The composer provides thi...

After the Schumann family moved to Dusseldorf in 1850, Clara Schumann (1819-1896) had a new lease of life in terms of her productivity as a composer. The Three Romances op. 22 for Violin and Pianofort...

With her 24 Preludes for viola and piano ("Wanderer"), Lera Auerbach presented another major cycle of instrumental miniatures at the end of 2017. During an extended stay in Europe, which took her to S...

Cool Beans is an eclectic mix of 21 character duets composed by Celia Cobb and Naomi Yandell. The pieces draw on a wide range of moods, styles and playing techniques, and young string players will enj...

Johanna Senfter’s Duo, completed in 1956, is the last and at the same time most compact of her five compositions for viola and piano. The impressive work is in a classical A-B-A form. Two mostly calm,...

In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...

The Sonata F minor for viola and piano op. 41, completed in May 1922, still breathes the spirit of the grand master Reger and yet already goes its own way in terms of rhythm, harmony, modulation and f...

The second Sonata F major for viola and piano op. 101 was composed in 1943 and is a fascinating testimony to its time. It stands in the tradition of the great classical sonata literature and yet is ch...