Kantate zum Michaelistag. Soli STB, Coro SATB, 3 Tr, Timp, 2 Ob, Taille, 2 Vl, 2 Va, Bc
Kantate zum Michaelistag. Soli STB, Coro SATB, 3 Tr, Timp, 2 Ob, Taille, 2 Vl, 2 Va, Bc
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Kantate zum 3. Sonntag nach Trinitatis und für alle Zeit - Die vorliegende Ausgabe ermöglicht die Aufführung der Kantate in den verschiedenen von Bach praktizierten Besetzungsformen. Bei den Besetzung...
Kantate zum 3. Sonntag nach Trinitatis und für alle Zeit - Die vorliegende Ausgabe ermöglicht die Aufführung der Kantate in den verschiedenen von Bach praktizierten Besetzungsformen. Bei den Besetzung...
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With the moving cantata "Jesus nahm zu sich die Zwölfe" (BWV 22), Johann Sebastian Bach auditioned for the position of Thomaskantor in Leipzig in 1723. Composed for Estomihi Sunday, this profound work...
With the moving cantata "Jesus nahm zu sich die Zwölfe" (BWV 22), Johann Sebastian Bach auditioned for the position of Thomaskantor in Leipzig in 1723. Composed for Estomihi Sunday, this profound work...
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Kantate zum Sonntag Estomihi - Bach schrieb seine Estomihi-Kantate 'Du wahrer Gott und Davids Sohn' als Probestück für seine Bewerbung um das Thomaskantorat in Leipzig. Aus Gründen, die nicht näher be...
Kantate zum Sonntag Estomihi - Bach schrieb seine Estomihi-Kantate 'Du wahrer Gott und Davids Sohn' als Probestück für seine Bewerbung um das Thomaskantorat in Leipzig. Aus Gründen, die nicht näher be...
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With the evocative cantata "Es ist nichts Gesundes an meinem Leibe" (BWV 25) for the 14th Sunday after Trinity, Johann Sebastian Bach created a masterpiece of profound emotional depth. The work traces...
With the evocative cantata "Es ist nichts Gesundes an meinem Leibe" (BWV 25) for the 14th Sunday after Trinity, Johann Sebastian Bach created a masterpiece of profound emotional depth. The work traces...
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Kantate für den 24. Sonntag nach Trinitatis - Soli SATB, Coro SATB, Cor, Fl, 3 Ob, Str, Org
Kantate für den 24. Sonntag nach Trinitatis - Soli SATB, Coro SATB, Cor, Fl, 3 Ob, Str, Org
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With the moving cantata "Wer weiß, wie nahe mir mein Ende" (BWV 27), Johann Sebastian Bach created a poignant masterpiece for the 16th Sunday after Trinity. Set in the modal color of C Dorian, the wor...
With the moving cantata "Wer weiß, wie nahe mir mein Ende" (BWV 27), Johann Sebastian Bach created a poignant masterpiece for the 16th Sunday after Trinity. Set in the modal color of C Dorian, the wor...
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Soli SATB, Coro SATB, 2 Ob, Taille, [Zk, 3 Trb], 2 Vl, Va, Bc Die Kantate 'Gottlob! nun geht das Jahr zu Ende' BWV 28 für den Sonntag nach Weihnachten beginnt ungewöhnlich: mit einer Arie anstelle des...
Soli SATB, Coro SATB, 2 Ob, Taille, [Zk, 3 Trb], 2 Vl, Va, Bc Die Kantate 'Gottlob! nun geht das Jahr zu Ende' BWV 28 für den Sonntag nach Weihnachten beginnt ungewöhnlich: mit einer Arie anstelle des...
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Experience a masterpiece of Baroque splendor and uplifting gratitude with Johann Sebastian Bach's festive Town Council Inauguration Cantata, "Wir danken dir, Gott, wir danken dir" (BWV 29). Originally...
Experience a masterpiece of Baroque splendor and uplifting gratitude with Johann Sebastian Bach's festive Town Council Inauguration Cantata, "Wir danken dir, Gott, wir danken dir" (BWV 29). Originally...
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Soli SATB, Coro SATB, 2 Fl, Ob I/Obda, Ob II, Vl solo, 2 Vl, Va, Bc
Soli SATB, Coro SATB, 2 Fl, Ob I/Obda, Ob II, Vl solo, 2 Vl, Va, Bc
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Johann Sebastian Bach's dialogue cantata "Liebster Jesu, mein Verlangen" (BWV 32) for the 1st Sunday after Epiphany is one of the most intimate masterpieces of Baroque vocal music. Conceived as a movi...
Johann Sebastian Bach's dialogue cantata "Liebster Jesu, mein Verlangen" (BWV 32) for the 1st Sunday after Epiphany is one of the most intimate masterpieces of Baroque vocal music. Conceived as a movi...
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Kantate zum 13. Sonntag nach Trinitatis
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Immerse yourself in Johann Sebastian Bach's magnificent cantata "Wer da gläubet und getauft wird" (BWV 37). Composed for the Feast of the Ascension of Christ—with a libretto likely authored by Christi...
Immerse yourself in Johann Sebastian Bach's magnificent cantata "Wer da gläubet und getauft wird" (BWV 37). Composed for the Feast of the Ascension of Christ—with a libretto likely authored by Christi...
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Kantate zum 21. Sonntag nach Trinitatis. Soli SATB, Coro SATB, [4 Trb], 2 Ob, Str, Org - Tonart e-phrygisch
Kantate zum 21. Sonntag nach Trinitatis. Soli SATB, Coro SATB, [4 Trb], 2 Ob, Str, Org - Tonart e-phrygisch
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The opening movement of Bach's choral cantata on Luther's "Aus tiefer Not schrei ich zu dir" BWV 38 for the 21st Sunday after Trinity in 1724 belongs to a group of cantatas whose opening chorus is not...
The opening movement of Bach's choral cantata on Luther's "Aus tiefer Not schrei ich zu dir" BWV 38 for the 21st Sunday after Trinity in 1724 belongs to a group of cantatas whose opening chorus is not...
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With the evocative cantata "Brich dem Hungrigen dein Brot" (BWV 39), Johann Sebastian Bach created a deeply moving masterpiece of baroque sacred music for the 1st Sunday after Trinity. Centered on the...
With the evocative cantata "Brich dem Hungrigen dein Brot" (BWV 39), Johann Sebastian Bach created a deeply moving masterpiece of baroque sacred music for the 1st Sunday after Trinity. Centered on the...
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Kantate zum 2. Weihnachtstag. Soli ATB, Coro SATB, 2 Ob, 2 Cor, Str, Org
Kantate zum 2. Weihnachtstag. Soli ATB, Coro SATB, 2 Ob, 2 Cor, Str, Org
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Kantate zu Neujahr - Soli SATB, Coro SATB, 3 Ob, 2 Vl, Va, Vcpic, 3 Tr, Bc, Timp
Kantate zu Neujahr - Soli SATB, Coro SATB, 3 Ob, 2 Vl, Va, Vcpic, 3 Tr, Bc, Timp
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Kantate zum Himmelfahrtsfest - Als Teil seines dritten Leipziger Kantatenjahrgangs führte Bach am 30. Mai 1726 die Himmelfahrtskantate 'Gott fähret auf mit Jauchzen' auf. Ihr Text ist im gleichen Jahr...
Kantate zum Himmelfahrtsfest - Als Teil seines dritten Leipziger Kantatenjahrgangs führte Bach am 30. Mai 1726 die Himmelfahrtskantate 'Gott fähret auf mit Jauchzen' auf. Ihr Text ist im gleichen Jahr...
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As part of his third Leipzig cantata cycle, Bach performed the Ascension cantata "Gott fähret auf mit Jauchzen" on May 30, 1726. Its text is included in the collection "Sonn- und Fest-Tags-Andachten ü...
As part of his third Leipzig cantata cycle, Bach performed the Ascension cantata "Gott fähret auf mit Jauchzen" on May 30, 1726. Its text is included in the collection "Sonn- und Fest-Tags-Andachten ü...
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The cantata BWV 44 from Bach's first Leipzig cantata cycle, the earlier of two compositions of the same name, was probably first performed on Sunday Exaudi in May 1724. The text deals with the themes...
The cantata BWV 44 from Bach's first Leipzig cantata cycle, the earlier of two compositions of the same name, was probably first performed on Sunday Exaudi in May 1724. The text deals with the themes...
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Kantate zum 10. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr [Tromba da tirarsi], 2 Blfl f1, 2 Obca, Str, Org
Kantate zum 10. Sonntag nach Trinitatis. Soli ATB, Coro SATB, Tr [Tromba da tirarsi], 2 Blfl f1, 2 Obca, Str, Org
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The opening chorus of the cantata "Schauet doch und sehet" BWV 46 is one of those movements by Bach that is primarily known in its later guise: its first part became the "Qui tollis" of the Mass in B...
The opening chorus of the cantata "Schauet doch und sehet" BWV 46 is one of those movements by Bach that is primarily known in its later guise: its first part became the "Qui tollis" of the Mass in B...
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Experience Johann Sebastian Bach’s masterful sacred music with the impressive cantata "Wer sich selbst erhöhet, der soll erniedriget werden" (BWV 47), composed for the 17th Sunday after Trinity. This...
Experience Johann Sebastian Bach’s masterful sacred music with the impressive cantata "Wer sich selbst erhöhet, der soll erniedriget werden" (BWV 47), composed for the 17th Sunday after Trinity. This...
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The cantata "Wer sich selbst erhöhet, der soll erniedriget werden" BWV 47 for the 17th Sunday after Trinity belongs to a whole series of cantatas with obbligato organ, most of which were composed in t...
The cantata "Wer sich selbst erhöhet, der soll erniedriget werden" BWV 47 for the 17th Sunday after Trinity belongs to a whole series of cantatas with obbligato organ, most of which were composed in t...
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