Sheet Music for Mixed Choir (SATB)

The "Gloria" RV 589(BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the "Gloria" as an ind...

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Posaune (2), Violine (2), Viola, Basso continuo (Cello, Kontrabass, Orgel) Antonio Caldara (1670-1736) verbindet man in erster Lin...

Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Klavier, Posaune (3), Pauke, Streicher, Orgel - Klavierauszug; Urtextausgabe

Felix Mendelssohn Bartholdy completed his first oratorio - "Paulus" op. 36 - in 1836 at the age of 27. The first version, which was premiered on May 22, 1836, underwent extensive revision. This second...

Soli (SATB), gemCh (SATB), Org. Die Partitur der Orgelversion ist gleichzeitig Orgelauszug der Orchesterversion. Urtext - Partitur

Die Cantata für gemischten Chor und Klavier (oder Orgel) ist ein Frühwerk Ursula Mamloks, wenn man die Komposition einer Mittdreißigerin denn so nennen kann. 1958, zur Entstehungszeit des Stücks, hatt...

Last year, Karl Jenkins' 'Requiem' for mixed choir and orchestra was a sensational success, above all in Great Britain. Now Boosey & Hawkes publish some of the most beautiful movements of the work in...

Scored for chorus, children's choir, organ and chamber orchestra, St Luke Passion adopts a pared-back focus on choral voices over its 75-minute span. Seeking a more spiritual, inward approach to match...

Since publication in 1997, MacMillan's The Galloway Mass has established itself as one of the most popular congregational mass settings in churches of various denominations around the world. With the...

This double choir anthem setting a text from the 12th century Worcester Acclamations was written for St Paul's Cathedral, London, with the music incorporating breathing space to allow for the cathedra...

Vertonung von Psalm 23 (Der Herr ist mein Hirte) in hebräischer Sprache.

A beautiful rendition of the sacred text from the Gospel of Luke set for SATB divisi chorus and mezzo soprano soloist. This work has been recorded by the Vancouver Chamber Choir, Jon Washburn conducti...

Now available for mixed voices, this setting of Psalm 133, translates to 'Behold, how good it is for brethren to dwell together in peace.' Though the text is in Hebrew, its meaning is universal, cross...

Composer's note:The renowned Bengali poet, Rabindranath Tagore, lived from 1861 to 1941 and was the first non-European to win the Novel Prize in Literature in 1913. His elegant verse was an inspiratio...

From a music-historical point of view, Anton Diabelli belongs to a middle group of Biedermeier composers who can be assigned neither to the Classical nor to the Romantic period. Although Diabelli want...

The Requiem in F minor op. 146 is one of Franz Lachner's most important works. The composer, who lived in Vienna for a long time, developed into a "classicist romantic" there, merging classical form,...

The Berlin choirmaster and music teacher Michael Betzner-Brandt is known as a particularly creative mind in the choral scene - for example through his "I can't sing" choirs. In order to be able to sin...

The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

At less than 20 years of age, the youngest son of the Leipzig Thomaskantor Johann Sebastian Bach broke away from the Lutheran musical tradition of his family: Johann Christian Bach (1735-1782) went to...

The Frankfurt Whitsun cantata from 1717 presents the choir and the four soloists with rewarding tasks and features a virtuoso recorder player in the opening chorus and in two of the three arias.