Advent- und Weihnachtslieder - Advent du stille Zeit - Am Felde nah bei Bethlehem - Bereitet das Herz für das Kommen des Herrn - Christbaumkugeln und Lametta - Dem Heil begegnen (Die Hirten gingen hin...
Advent- und Weihnachtslieder - Advent du stille Zeit - Am Felde nah bei Bethlehem - Bereitet das Herz für das Kommen des Herrn - Christbaumkugeln und Lametta - Dem Heil begegnen (Die Hirten gingen hin...
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- Alfred Hochedlinger
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With "Lied eines (unbekannten) Gefangenen" (Song of an [Unknown] Prisoner) from 1936, the renowned Bärenreiter Verlag presents a deeply moving and historically significant vocal work. Composed for med...
With "Lied eines (unbekannten) Gefangenen" (Song of an [Unknown] Prisoner) from 1936, the renowned Bärenreiter Verlag presents a deeply moving and historically significant vocal work. Composed for med...
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Mittlere Stimme, Klavier - Singpartitur; Spielpartitur
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Dank sei Dir, Herr (Thanks Be to Thee) – this sublime and deeply moving Arioso from the famous "Cantata con stromenti" is one of the timeless masterpieces of sacred vocal literature. With its solemn,...
Dank sei Dir, Herr (Thanks Be to Thee) – this sublime and deeply moving Arioso from the famous "Cantata con stromenti" is one of the timeless masterpieces of sacred vocal literature. With its solemn,...
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- Boosey & Hawkes
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- Editions Combre
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Solo T, Coro SATB, Fl, Obda (Ob), 2 Vl, Va, Bc In der Kantate Ich armer Mensch, ich Sündenknecht hat Bach ein Höchstmass an Ausdrucksstärke mit geringen vokalen Mitteln (Solotenor, nur der Schlusschor...
Solo T, Coro SATB, Fl, Obda (Ob), 2 Vl, Va, Bc In der Kantate Ich armer Mensch, ich Sündenknecht hat Bach ein Höchstmass an Ausdrucksstärke mit geringen vokalen Mitteln (Solotenor, nur der Schlusschor...
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- Carus-Verlag
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Kantate zum Fest Mariae Reinigung - 1. Fassung in c. Solo Bar [Ms], Obca (Ob), Str, Org
Kantate zum Fest Mariae Reinigung - 1. Fassung in c. Solo Bar [Ms], Obca (Ob), Str, Org
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Kantate zum Fest Mariae Reinigung - 1. Fassung in c. Solo Bar [Ms], Obca (Ob), Str, Org
Kantate zum Fest Mariae Reinigung - 1. Fassung in c. Solo Bar [Ms], Obca (Ob), Str, Org
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Besetzung: Solo A, [Fl], Obda, 2 Vl, Va, Bc, Org obl Die Kantate Vergnügte Ruh, beliebte Seelenlust für Alt solo hat Bach zum 6. Sonntag nach Trinitatis 1728 komponiert. Sie entstammt damit seinem dri...
Besetzung: Solo A, [Fl], Obda, 2 Vl, Va, Bc, Org obl Die Kantate Vergnügte Ruh, beliebte Seelenlust für Alt solo hat Bach zum 6. Sonntag nach Trinitatis 1728 komponiert. Sie entstammt damit seinem dri...
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Kantate - Buxtehudes zahlreiche für die Aufführung in der Lübecker Marienkirche geschriebenen Vokalkompositionen sind stilistisch sehr unterschiedlich gehalten. Bei der Kantate 'Also hat Gott die Welt...
Kantate - Buxtehudes zahlreiche für die Aufführung in der Lübecker Marienkirche geschriebenen Vokalkompositionen sind stilistisch sehr unterschiedlich gehalten. Bei der Kantate 'Also hat Gott die Welt...
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Buxtehude's numerous vocal compositions written for the performance in Lübeck's Marienkirche are stylistically very different. The cantata "So hat Gott die Welt geliebet" is a concerto for solo sopran...
Buxtehude's numerous vocal compositions written for the performance in Lübeck's Marienkirche are stylistically very different. The cantata "So hat Gott die Welt geliebet" is a concerto for solo sopran...
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Solo A (B), 2 Vl, Bc
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Celebrate the joy of Easter with Georg Philipp Telemann’s stirring Easter cantata "Victoria! mein Jesus ist erstanden" (TVWV 1:1746). This festive masterpiece of Baroque vocal music radiates radiant t...
Celebrate the joy of Easter with Georg Philipp Telemann’s stirring Easter cantata "Victoria! mein Jesus ist erstanden" (TVWV 1:1746). This festive masterpiece of Baroque vocal music radiates radiant t...
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Strangely enough, the cantata has survived with two texts. Of these, the second is certainly a parody, but possibly also the first. While the first text is clearly intended for Easter, the second has...
Strangely enough, the cantata has survived with two texts. Of these, the second is certainly a parody, but possibly also the first. While the first text is clearly intended for Easter, the second has...
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Solo S, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb
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Motetto pro Nativitate I - Solo A, 2 Fl (2 Blfl), 2 Vl, Va, Bc
Motetto pro Nativitate I - Solo A, 2 Fl (2 Blfl), 2 Vl, Va, Bc
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Motetto pro Nativitate II - Solo T, 2 Blfl, 2 Fl, 2 Vl, Va, Bc
Motetto pro Nativitate II - Solo T, 2 Blfl, 2 Fl, 2 Vl, Va, Bc
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Offertorium in C - S (T), Clt (Vl) conc, 2 Fl, 2 Cor, 2 Vl, Vc/Cb, Org
Offertorium in C - S (T), Clt (Vl) conc, 2 Fl, 2 Cor, 2 Vl, Vc/Cb, Org
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Solo T, 2 Ob, 2 Fg, 2 Cor, 2 Vl, Va, Vc/Cb
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Ferdinand Schubert gefiel das Salve Regina in F von 1815 so gut, dass er seinen Bruder Franz bat, Bläserstimmen dazuzukomponieren. Das Werk wurde mit Bläsern 1825 bei Diabelli in Wien unter dem Titel...
Ferdinand Schubert gefiel das Salve Regina in F von 1815 so gut, dass er seinen Bruder Franz bat, Bläserstimmen dazuzukomponieren. Das Werk wurde mit Bläsern 1825 bei Diabelli in Wien unter dem Titel...
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Solo S, 2 Vl, Va, Vc/Cb
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