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Mozart's final work, the Requiem K. 626, was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a...

Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, oboe (2), trumpet (2), trombone (3), timpani, strings, organ - piano re...

Soli(SATB), gemischter Chor(SATB), Orchester (0,2,0,0 - 0,0,0,0 - Str - Bc). Chpart

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Orgel - Partitur; Chorpartitur; Urtextausgabe

World premiere on April 12, 1969 in Kassel, Third Week for Contemporary Sacred Music: Vokalensemble Kassel, conducted by Klaus Martin Ziegler

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Christian Theodor Weinlig was Thomaskantor in Leipzig from 1823 to 1842. He grew up in the tradition of the Dresden Kreuzchor and completed his studies in Italy. In Leipzig, he was recognized for his...

Organ, Mixed choir - Score

Arranged for soloists, choir and organ.

The "Geistliche Chor-Music" published in 1648 is still considered one of Heinrich Schütz's key works. After the revised new edition by Werner Breig, the two-volume practical edition (BA 5901/BA 5902)...

Komponiert im Jahr 2011 für Katherine Dienes-Williams und den Chor der Guildford Cathedral, umfasst Guildford Mass die üblichen Texte der lateinischen Messe (Kyrie, Gloria, Sanctus, Benedictus and Agn...

Kim André Arnesen’s Stabat Mater breathes new life into the 13th-century Latin hymn, which portrays the Virgin Mary’s suffering at the crucifixion of her son, Jesus Christ. Amongst the traditional sta...

A setting of one of the seven O Antiphons, O Adonai, is built upon an ostinato figure on a single note which starts and ends the composition, initially using the words of the title. Acting as a drone...

This anthem was commissioned by Anna Lapwood for the Choir of Pembroke College, Cambridge, during her tenure as Director of Music, to mark the 40th anniversary of women being admitted to study at the...

Nearly thirty works – including motets, masses, cantatas, and other sacred compositions – attest to the central role of religiously inspired music in Nino Rota’s (1911–1979) vocal, choral, and symphon...