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Nana Forte's "Stabat Mater", composed for a six-part mixed choir, is inspired by the timeless sacred text and offers a deeply human reflection on grief and compassion. The piece speaks a modern musica...

The choral piece "Regna terrae" (based on Psalm 68, verses 33 and 35) by Dariusz Zimnicki radiates joy, which is expressed above all through its rhythm. In the more melodic middle section, the voices...

From a music-historical point of view, Anton Diabelli belongs to a middle group of Biedermeier composers who can be assigned neither to the Classical nor to the Romantic period. Although Diabelli want...

Antonín Dvorák's impressive "Stabat Mater" for soloists, choir and orchestra is probably the best known of the composer's sacred works. Dvorák's own painful experiences - his first daughter died in 18...

Tango Argentino meets Classic! The Argentinian composer Martín Palmeri, whose "Misatango" is known and loved by many choirs, sets the 127th psalm "Nisi Dominus" to music for solo soprano and mixed cho...

The famous merchant's son and later founder of the order, Francis of Assisi, has repeatedly been taken as a source of inspiration from a wide variety of perspectives and Damijan Mocnik also follows in...

The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

The Gloria in D RV 589 is Vivaldi's best-known sacred work and is one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717...

Psalm 150 from 1884 is a composition from César Franck's creative maturity. The characteristic features of his style appear in a small space: the emphatically symphonic language, the bold, unmistakabl...

Ensembles for whom Schubert's "great" masses are not accessible will find a pleasant alternative in this compact and smaller scored mass from 1816. In terms of its external dimensions, it is a Missa b...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

Der argentinische Komponist Martín Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor...