Symphony Orchestra Solo Pieces for Piano

> Score and orchestral parts in large format (25.5 x 32.5 cm) > Includes source descriptions and a Critical Commentary with alternative readings (Eng) > Informative Introduction on the work's history...

Jonathan Del Mar, der sich bereits mit seinen erfolgreichen Beethoven-Editionen einen Namen gemacht hat, wendet sich nun den Klavierkonzerten Beethovens zu. nIm ersten Klavierkonzert des Komponisten h...

Jonathan Del Mar, who has already made a name for himself with his successful Beethoven editions, now turns his attention to Beethoven's piano concertos. nIn the composer's first piano concerto, Del M...

Obwohl die Quellen zu Beethovens Klavierkonzert op. 19 allgemein bekannt sind, wurden mit der vorliegenden Edition zahlreiche Missverständnisse und Fehlinterpretationen beseitigt. Bis heute basiert ke...

Although the sources for Beethoven's Piano Concerto op. 19 are generally known, the present edition has eliminated numerous misunderstandings and misinterpretations. To this day, no edition of the wor...

Beethoven's Third Piano Concerto is the only one for which no authentic manuscript of the solo part has survived. The autograph score has survived, although articulation, dynamic and pedal markings ar...

The autograph score of Beethoven's Fourth Piano Concerto is lost. Only two authentic sources were available for every new edition published over the years: a copyist's copy of the score with Beethoven...

- Many wholly new corrections in the solo and orchestral parts - Piano reduction with a separate solo part, as was customary in Beethoven's day - With Beethoven's continuo figures for the first time i...

The fifth and final concerto of Beethoven's piano concertos is also their climax and reflects all the composer's skill and experience. The surviving manuscripts provide an excellent insight into Beeth...

In the 1960s, long after Ravel’s death, the musical text of the then available Durand edition of Ravel’s Piano Concerto in G major underwent various changes. Although it is unknown who authorised thes...

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

The full score alone of the above-named concerto

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

Kevin Volans ' Piano Concerto No. 4 was commissioned by Birmingham Contemporary Music Group, with financial assistance from Arts for All and many individuals through BCMG's Sound Investment Scheme. Th...

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

Matthias Georg Kendlinger was practically born with an enthusiasm for keyboard instruments. He began playing the accordion at the age of five, and in 2014 he presented his first piano concerto. It is...