Symphony Orchestra Solo Pieces for Violin

When death takes up the fiddle at midnight to summon the skeletons to an eerie, enchanting waltz: Camille Saint-Saëns’ “Danse macabre” Op. 40 stands as one of the most thrilling and captivating master...

Beethovens Konzert für Violine und Orchester ist eines der berühmtesten Werke der Musikgeschichte. Es ist in den letzten 150 Jahren in zahlreichen Editionen erschienen, von denen bis heute keine diese...

The Concerto in D major, Op. 77 for Violin and Orchestra stands as one of the undisputed pinnacles of the violin repertoire—a masterpiece of profound symphonic depth, lyrical beauty, and virtuosic bri...

Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...

Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...

Experience one of the most captivating masterpieces of the 20th century: The Violin Concerto No. 2 in G minor, Op. 63 impresses with its incomparable wealth of lyrical expressiveness, dramatic depth,...

Experience classical elegance and musical vitality at its finest: The Violin Concerto in G major (Hob. VII:4) is one of the radiant highlights of the early Classical repertoire for violin and orchestr...

Experience classical elegance and radiant musical joy with Joseph Haydn's celebrated Violin Concerto in G major (Hob. VII:4). A timeless masterpiece of the Viennese Classical era, this work enchants w...

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

The full score alone of the above-named concerto

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

This version of Partita was orchestrated by the composer in 1988 for Anne-Sophie Mutter. The first performance was given in January 1990 by Anne-Sophie Mutter and the Berlin Philharmonic conducted by...

It is the galaxy – the microcosm of ourselves that challenges every human being throughout their lives. Gaining knowledge balances the seemingly eternally unexplored. To what extent may it be possible...

The Beethoven 'Op. 61' and Mendelssohn 'Op. 64' and Tchaikovsky 'Op. 35'.

Dimitri Yanov-Yanovsky's Lux Aeterna for Violin and Orchestra.