Symphony Orchestra with Choir

These two previously-unpublished Psalm settings were written while Benjamin Britten was studying at the Royal College of Music in London but, despite encouragement from Ireland, Vaughan Williams and H...

César Franck (1822-1890) is now regarded as one of the most important French composers and organists of his time. 'Les Béatitudes', his monumental oratorio setting the text from Jesus's Sermon on the...

Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...

Anton Bruckner composed the first of his three orchestral masses, the Mass in D minor, in just four months in 1864. Nevertheless, it was not completed for Emperor Franz Joseph I's birthday as planned,...

Weber's "Missa sancta No. 1" in E flat major is also known as the "Freischütz Mass", as he composed it in 1818 while working on the opera of the same name. The mass already enjoyed great popularity am...

The Te Deum from 1832, a large-scale festive work, impresses with its rapid changes of expression and warm orchestral colors. The 15-movement composition combines sonorous, sometimes eight-part choral...

The Te Deum from 1832, a large-scale festive work, impresses with its rapid changes of expression and warm orchestral colors. The 15-movement composition combines sonorous, sometimes eight-part choral...

Fassung für Sinfonieorchester - nicht lieferbar für Frankreich - Soli SBar, Coro SATB, 2 Fl, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, Vl, 2 Va, 2 Vc, Cb, Arpa, Org

During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, of which the "Oratorio de Noël" (Christmas Oratorio) is particularly popular worldwide. The colorfu...

Biber's Requiem in F minor is amongst the most impressive settings of the Requiem Mass of the 17th century. The exact reason for the composition of the Requiem, which can be dated to 1692, is not know...

Even during Ludwig van Beethoven's lifetime, the composer was so revered that contemporaries arranged his music – mostly the well-known instrumental works – for choir. In some cases, he may even have...

Even during Ludwig van Beethoven's lifetime, the composer was so revered that contemporaries arranged his music – mostly the well-known instrumental works – for choir. In some cases, he may even have...

Even during Ludwig van Beethoven's lifetime, the composer was so revered that contemporaries arranged his music – mostly the well-known instrumental works – for choir. In some cases, he may even have...

Even during Ludwig van Beethoven's lifetime, the composer was so revered that contemporaries arranged his music – mostly the well-known instrumental works – for choir. In some cases, he may even have...

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...

Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...