Urtext Edition

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

This short work, composed by Rossini in May 1832, consists of an introduction and a three-part Allegro. The opening melody of the allegro is an early example of Rossini's reuse of musical material. Th...

Immerse yourself in one of the most magnificent orchestral masterpieces of the Baroque era: Georg Philipp Telemann’s celebrated Overture in C major 'Water Music – Hamburg Ebb and Flood' (TWV 55:C3). C...

Konzert für Orgel (Cembalo) und Orchester. Anhang: 1. Fassung des 2. Satzes. Oboenstimmen in 2 Fassungen: Handschrift und Walsh-Druck 1761. Urtext der Hallischen Händel-Ausgabe. Orgel Solo, Oboe (2),...

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Horn (4), Streicher - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Horn (4), Streicher - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Flöte (2), Oboe (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe

With the release of these early Mozart symphonies, all works in this genre are now available for purchase based on the Urtext edition of the "New Mozart Edition." Mozart’s early mastery is thus access...

On the occasion of the dedication of a new orphanage on Vienna’s Rennweg, Mozart—who was just twelve years old in 1768—appeared before the audience as both composer and conductor with his "Missa solem...

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Horn (2), Streicher - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Fagott (2), Horn (2), Streicher - Partitur; Urtextausgabe

1. und 2. Satz Ouvertura und Nr. 1 zu Ascanio in Alba KV 111. Finalsatz KV 120. Urtext der Neuen Mozart-Ausgabe. Flöte (2), Oboe (2), Horn (2), Trompete (2), Streicher - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Horn (2), Streicher - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Fagott ad lib, Horn (2), Trompete (2), Streicher - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Oboe (2), Fagott ad lib, Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe

Konzert für Klavier und Orchester. Urtetxt der Neuen Mozart-Ausgabe - Concerto for Piano and Orchestra. Klavier Solo, Flöte, Oboe (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur;...

Urtext der Neuen Schubert-Ausgabe. Flöte, Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe

Urtext der Neuen Schubert-Ausgabe. Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Partitur; Urtextausgabe

Franz Schubert’s Symphony No. 3 in D major, D 200, sparkles with youthful energy, infectious joy, and unforgettable melodic charm. Composed during his remarkably productive summer of 1815, this master...

Franz Schubert’s Symphony No. 4 in C minor, D 417, endowed by the nineteen-year-old composer himself with the epithet "Tragic", captivates listeners with its gripping drama, emotional depth, and turbu...

Franz Schubert's Overture to "Die Zauberharfe" (The Magic Harp) D 644—widely celebrated and cherished as the captivating overture to "Rosamunde"—enchants with its melodic poetry, dramatic depth, and m...

Franz Schubert’s Symphony No. 6 in C major, D 589 – often affectionately known as the "Little C major Symphony" – radiates youthful energy, captivating charm, and pure joy of music-making. Echoes of t...

The Symphony No. 8 in C major – also called the "Great C Major Symphony" to distinguish it from Symphony No. 6 of 1817/18, which is also in C major – was written by Schubert between 1825 and 1828. Aft...

Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Kritischer Bericht

Experience one of the most powerful masterpieces in music history: Ludwig van Beethoven's world-famous Symphony No. 5 in C minor, Op. 67. The iconic fate motif of the opening movement and the triumpha...