Urtext Edition
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Oboe (Urtext)
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Organ (Urtext)
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
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1. Notenbuch für Maria Anna (Nannerl) Mozart 1759 - 2. Londoner Skizzenbuch 1764 (Nr. 1-43), Anhang. Urtext der Neuen Mozart-Ausgabe
1. Notenbuch für Maria Anna (Nannerl) Mozart 1759 - 2. Londoner Skizzenbuch 1764 (Nr. 1-43), Anhang. Urtext der Neuen Mozart-Ausgabe
- Piano
- Critical Comment (Urtext)
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Urtext der Neuen Bach-Ausgabe. Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
- Piano
- Critical Comment (Urtext)
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Urtext der Neuen Bach-Ausgabe. Klavier / Cembalo - Kontrabass; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Klavier / Cembalo - Kontrabass; Gesamtausgabe
- Piano
- Critical Comment (Urtext)
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Kritischer Bericht; Gesamtausgabe
Kritischer Bericht; Gesamtausgabe
- Piano
- Critical Comment (Urtext)
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- Piano
- Sheet Music Download (Urtext)
- Musikverlag Gert Walter
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Kammermusikwerke Band 4. Urtext der Neuen Bach-Ausgabe. Viola da gamba, Cembalo - Partitur; Urtextausgabe; Gesamtausgabe
Kammermusikwerke Band 4. Urtext der Neuen Bach-Ausgabe. Viola da gamba, Cembalo - Partitur; Urtextausgabe; Gesamtausgabe
- Viola da Gamba and Harpsichord
- Sheet Music (Urtext)
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- Cello Duet
- Sheet Music (Urtext)
- Strube Verlag
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Urtext der Neuen Bach-Ausgabe. Flöte, Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Flöte, Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
- Flute and Piano
- Sheet Music (Urtext)
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Werke für Flöte BWV 1013, 1030, 1032, 1034, 1035, 1039. Anhang Variante der Sonate BWV 1030, Cembalostimme Flöte, Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
Werke für Flöte BWV 1013, 1030, 1032, 1034, 1035, 1039. Anhang Variante der Sonate BWV 1030, Cembalostimme Flöte, Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
- Flute and Piano
- Critical Comment (Urtext)
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Am 20. Dezember 1823 erlebte Helmina von Chézys "großes romantisches Schauspiel" "Rosamunde" seine Uraufführung im Theater an der Wien. Diese Fassung des Dramas mit Geistererscheinungen, Schiffbruch,...
Am 20. Dezember 1823 erlebte Helmina von Chézys "großes romantisches Schauspiel" "Rosamunde" seine Uraufführung im Theater an der Wien. Diese Fassung des Dramas mit Geistererscheinungen, Schiffbruch,...
- Soloist, Narrator, Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Hans Schellevis
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Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der "Geistlichen Chor-Music" nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...
Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der "Geistlichen Chor-Music" nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...
- Mixed Choir (6-7 Parts) and Continuo
- Choral Score (Urtext) Download
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Die "Drei Chöre" (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on Augu...
Die "Drei Chöre" (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on Augu...
- Mixed Choir (SATB) and Piano
- Piano Score (Urtext) Download
- Carus-Verlag
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Mixed Choir (SSATB) and Piano
- Piano Score (Urtext) Download
- Carus-Verlag
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Low Voice, Mixed Choir (SATB) and Piano
- Score (Urtext) Download
- Carus-Verlag
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Medium Voice, Mixed Choir (SATB) and Piano
- Score (Urtext) Download
- Carus-Verlag
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
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Urtext of the New Mozart Edition Oboe (2), Clarinet in bb (2), Horn (2), Bassoon (2) - Performance score
Urtext of the New Mozart Edition Oboe (2), Clarinet in bb (2), Horn (2), Bassoon (2) - Performance score
- 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons
- Study Score Download (Urtext)
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Sextet version (1781) and Octet version (1782?) after the New Mozart Edition - Sextet Version (1781) and Octet Version (1782?). Clarinet in b flat (2), Horn (2), Bassoon (2); Oboe (2), Clarinet in b f...
Sextet version (1781) and Octet version (1782?) after the New Mozart Edition - Sextet Version (1781) and Octet Version (1782?). Clarinet in b flat (2), Horn (2), Bassoon (2); Oboe (2), Clarinet in b f...
- 2 Clarinets, 2 Horns, 2 Bassoons and 2 Oboes
- Study Score Download (Urtext)
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext)
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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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