Urtext Edition
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Viola (Urtext)
- G. Henle Verlag
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Cello (Urtext)
- G. Henle Verlag
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Double Bass (Urtext)
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Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
- String Orchestra
- Instrumental Part: Viola (Urtext)
- G. Henle Verlag
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Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
- String Orchestra
- Instrumental Part: Cello (Urtext)
- G. Henle Verlag
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Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
- String Orchestra
- Instrumental Part: Double Bass (Urtext)
- G. Henle Verlag
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The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
- String Orchestra
- Instrumental Part: Viola (Urtext)
- G. Henle Verlag
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The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
- String Orchestra
- Instrumental Part: Cello (Urtext)
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The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
The occasion for the composition, described as a “suite in the old style”, was the 200th birthday of the Norwegian-Danish poet Ludvik Holberg (1684–1754), which was celebrated in Bergen with several f...
- String Orchestra
- Instrumental Part: Double Bass (Urtext)
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Like its sibling works (BWV 1052–1059), Johann Sebastian Bach’s Harpsichord Concerto no. 3 (BWV 1054) was initially composed for another solo instrument. In this case, the original work is even known:...
Like its sibling works (BWV 1052–1059), Johann Sebastian Bach’s Harpsichord Concerto no. 3 (BWV 1054) was initially composed for another solo instrument. In this case, the original work is even known:...
- Harpsichord and String orchestra
- Instrumental Part: Viola (Urtext)
- G. Henle Verlag
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Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
Already in his early youth, Mozart made his first forays into the genre of the string quartet, the supreme discipline in chamber music. The three three-movement works K. 136–138, which he designated "...
- String Orchestra
- Instrumental Part: Viola (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Viola (Urtext)
- G. Henle Verlag
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Cello (Urtext)
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Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...
- Harp and String orchestra
- Instrumental Part: Double Bass (Urtext)
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The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...
The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg...
- String Orchestra
- Instrumental Part: Harpsichord (Urtext)
- Heinrich Besseler
- Edwin F. Kalmus
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A sensational find while revising: BWV 1067 in the A minor original version for violin
A sensational find while revising: BWV 1067 in the A minor original version for violin
- Flute, String Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel KG
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In the summer of 1939, Béla Bartók travels to Switzerland to compose the 'Divertimento for String Orchestra' in just two weeks as the guest of his patron Paul Sacher. Inspired by the hospitable atmosp...
In the summer of 1939, Béla Bartók travels to Switzerland to compose the 'Divertimento for String Orchestra' in just two weeks as the guest of his patron Paul Sacher. Inspired by the hospitable atmosp...
- String Orchestra
- Instrumental Part: Double Bass (Urtext)
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In the summer of 1939, Béla Bartók travels to Switzerland to compose the 'Divertimento for String Orchestra' in just two weeks as the guest of his patron Paul Sacher. Inspired by the hospitable atmosp...
In the summer of 1939, Béla Bartók travels to Switzerland to compose the 'Divertimento for String Orchestra' in just two weeks as the guest of his patron Paul Sacher. Inspired by the hospitable atmosp...
- String Orchestra
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel KG
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In the summer of 1939, Béla Bartók travels to Switzerland to compose the 'Divertimento for String Orchestra' in just two weeks as the guest of his patron Paul Sacher. Inspired by the hospitable atmosp...
In the summer of 1939, Béla Bartók travels to Switzerland to compose the 'Divertimento for String Orchestra' in just two weeks as the guest of his patron Paul Sacher. Inspired by the hospitable atmosp...
- String Orchestra
- Instrumental Part: Cello (Urtext)
- Breitkopf & Härtel KG
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These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
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- Instrumental Part: Viola (Urtext)
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These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
- String Orchestra
- Instrumental Part: Cello (Urtext)
- Breitkopf & Härtel KG
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These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
- String Orchestra
- Instrumental Part: Double Bass (Urtext)
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- Violin and Piano
- Instrumental Part: Piano (Urtext)
- Edition Peters
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- Organ
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Orgel - Sammelband; Spielpartitur; Urtextausgabe; Gesamtausgabe
Orgel - Sammelband; Spielpartitur; Urtextausgabe; Gesamtausgabe
- Organ
- Critical Comment (Urtext)
- Bärenreiter Verlag
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