Urtext Edition
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
- Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Viola 2 (Urtext)
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The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
- Solos, Mixed choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
- Solos, Mixed choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
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This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
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This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 3 (Urtext)
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Soli,GCh,Orch 20'
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Soli,GCh,Orch 20'
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.
I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.
I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...
Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...
- Soloists, Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...
Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...
- Soloists, Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Continuo (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Violin 2 (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
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