Urtext Edition
Psalm 2 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (4)-SATB+SATB+SATB+SATB, Basso continuo
Psalm 2 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (4)-SATB+SATB+SATB+SATB, Basso continuo
- 4 Mixed Choirs (SATB) and Continuo
- Instrumental Parts: Organ & Continuo (Urtext)
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Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
- Instrumental Parts: Cello and Continuo (Urtext)
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Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
- Instrumental Part: Viola da Gamba 1 (Urtext)
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Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
- Instrumental Part: Viola da Gamba 2 (Urtext)
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Lesungsmusik zur Todesstunde Jesu. Continuus Violoncello, Basso continuo - Einzelstimme
Lesungsmusik zur Todesstunde Jesu. Continuus Violoncello, Basso continuo - Einzelstimme
- 5 Soloists, Mixed Choir (SATB), Strings and Continuo
- Instrumental Parts: Cello and Continuo (Urtext)
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Psalm 136 aus Psalmen Davids für 2 Favoritchöre (SSAT+T[A], 3 Pos), Capellchor und Instrumente. Urtext der Neuen Schütz-Ausgabe. Sopran solo (2), Alt solo, Tenor solo (2), Trompete (3), Posaune (3), P...
Psalm 136 aus Psalmen Davids für 2 Favoritchöre (SSAT+T[A], 3 Pos), Capellchor und Instrumente. Urtext der Neuen Schütz-Ausgabe. Sopran solo (2), Alt solo, Tenor solo (2), Trompete (3), Posaune (3), P...
- 5 Soloists, Mixed Choir (SATB), 3 Trumpets, 3 Trombones, Timpani and Continuo
- Single Part 3 Trumpets and Timpani (Urtext)
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Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
- 2 Mixed Choirs (SATB), Strings and Continuo
- Instrumental Parts: Organ & Continuo (Urtext)
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Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
- 2 Mixed Choirs (SATB), Strings and Continuo
- Instrumental Parts: Viola & Trombone 2 (Urtext)
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Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
- 2 Mixed Choirs (SATB), Strings and Continuo
- Instrumental Parts: Cello and Trombone 3 (Urtext)
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Telemann had the short solo cantatas from his collection "Der harmonische Gottesdienst" performed in Hamburg churches after the sermon. Even today, cantors like to use these easy-to-perform works in s...
Telemann had the short solo cantatas from his collection "Der harmonische Gottesdienst" performed in Hamburg churches after the sermon. Even today, cantors like to use these easy-to-perform works in s...
- Medium Voice, Flute and Continuo
- Piano Score and Part(s) Download (Urtext)
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- 3 Mixed Choirs, 3 Trombones, Strings and Continuo
- Instrumental Parts: Cello and Continuo (Urtext)
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Immerse yourself in the captivating sacred music of the young Wolfgang Amadeus Mozart with his radiant and celebratory Missa brevis in G major, K. 49 (47d)! Written in the composer's early youth, this...
Immerse yourself in the captivating sacred music of the young Wolfgang Amadeus Mozart with his radiant and celebratory Missa brevis in G major, K. 49 (47d)! Written in the composer's early youth, this...
- 4 Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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Wolfgang Amadeus Mozart's Missa brevis in F major, K. 192 (186f), captivates with its masterful polyphonic craftsmanship, melodic vibrancy, and festive, intimate character. Composed in Salzburg in 177...
Wolfgang Amadeus Mozart's Missa brevis in F major, K. 192 (186f), captivates with its masterful polyphonic craftsmanship, melodic vibrancy, and festive, intimate character. Composed in Salzburg in 177...
- 4 Soloists, Mixed Choir (SATB), 2 Trumpets, 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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- Mixed Choir (SATB), 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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Wolfgang Amadeus Mozart's impressive Offertory "Misericordias domini" K. 222 (205a) is one of the most fascinating sacred works from his Munich period. Composed in 1775, the piece captivates through m...
Wolfgang Amadeus Mozart's impressive Offertory "Misericordias domini" K. 222 (205a) is one of the most fascinating sacred works from his Munich period. Composed in 1775, the piece captivates through m...
- Mixed Choir (SATB), Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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Offertorium. Violoncello/ Kontrabass/ Fagott - Einzelstimme
Offertorium. Violoncello/ Kontrabass/ Fagott - Einzelstimme
- High Voice, Mixed Choir (SATB), Trumpet, Timpani, 2 Violins, Cello and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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Experience the timeless elegance and spiritual depth of Wolfgang Amadeus Mozart's moving offertorium »Alma Dei creatoris« K. 277 (272a). Dedicated to the Blessed Virgin Mary (de B.M.V.), this sacred m...
Experience the timeless elegance and spiritual depth of Wolfgang Amadeus Mozart's moving offertorium »Alma Dei creatoris« K. 277 (272a). Dedicated to the Blessed Virgin Mary (de B.M.V.), this sacred m...
- Soloists, Mixed Choir (SATB), 2 Violins, Cello and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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- Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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Als Telemann 1725/26 in Hamburg den "Harmonischen Gottesdienst", seinen ersten gedruckten Kantatenjahrgang, herausgab, war er bereits einer der bedeutendsten Kantatenkomponisten seiner Zeit. Die 72 So...
Als Telemann 1725/26 in Hamburg den "Harmonischen Gottesdienst", seinen ersten gedruckten Kantatenjahrgang, herausgab, war er bereits einer der bedeutendsten Kantatenkomponisten seiner Zeit. Die 72 So...
- High Voice, Instrument and Continuo
- Piano Score and Part(s) Download (Urtext)
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Kantate zum Pfingstfest (1. Pfingsttag) - Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre. Soli ATB, Coro SATB, 3 Tr...
Kantate zum Pfingstfest (1. Pfingsttag) - Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre. Soli ATB, Coro SATB, 3 Tr...
- Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext) Download
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Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...
Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...
- Soloists, Mixed Choir (SATB), Bassoon, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Urtext) Download
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'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Set of Parts - Wind Instruments and Timpani (Urtext) Download
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'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Set of Parts - String Instruments, Wind Instrument and Timpani (Urtext)
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Instrumental Part: Continuo 1 Download (Urtext)
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Instrumental Part: Continuo 2 Download (Urtext)
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