Sheet Music for Flute

In dieser Folge ist Little Dino in Japan angekommen. Andächtig lässt er die fremde Kultur auf sich einwirken, um dann gut gelaunt in einem Garten umherzutollen, in dem die Kirschbäume in voller Blüte...

Running Man: In diesem Werk für drei Flöten und Bassflöte wird ein Läufer dargestellt, der mit frischem Schwung seine Laufeinheit beginnt und vergnügt die ersten Runden dreht. Beharrlich setzt er eine...

Diese bezaubernde Geschichte und Musik verflechten auf wunderbare Weise die fesselnde Geschichte von Sophia, die eine tiefe Leidenschaft für die Flöte hat, mit sieben exquisiten Stücken für Flöte und...

Kuhlau's op. 90 is one of the masterpieces that in melodic and instrumental balance combines poetry and elegance with brilliance and virtuosity in the most natural way. Indispensable for the concert!

Quantz's first solo sonatas from his Dresden years are indebted to the 'mixed taste' cultivated by the teacher Pisendel, Italian included.

First Edition

First Edition

The Swiss composer Peter Mieg's Concerto for 2 flutes and strings is one of the standard works for this instrumentation: rousing cantabile duo competition.

on themes from Bizet's 'Carmen'

The sonatas are arranged progressively and are excellently suited for learning concertante 'art skills', but do not lack harmonic subtleties.

First Edition

With Foreword and Critical commentary for 2nd Sonata in C major.

As the composition teacher of Princess Anna Amalia of Prussia, the sonatas offer insights into the multifaceted teaching practices of the time. Authentically edited according to three sources.

His present Duos are a fine example of how to write a sprightly and melodious dialogue using modest technical means.

The popular opera arias, stylistically modeled on the national melodic songs of their time, and 'doted' on the flute in both rapturous and brilliant paraphrases, are among the most exquisite of their...

Edited from the frist edition

Edited after the sonatas for violin and piano K. 376 (374d), 296, 377 (374e). The lack of flute sonatas from the master's hand already during his lifetime led to the fact that especially his violin so...

Edited after the sonatas for violin and piano K. 378 (317d), 379 (373a) and 380 (374f). The lack of flute sonatas from the master's hand already led during his lifetime to the fact that especially his...

The Haydn pupil Neukomm gave us with this delightful lyrically as well as dramatically conceived fantasy a valuable 'interlude' committed to operatic bel canto.

The perfectly formed contrapuntal interplay, the compact shaping of the movements show Boni to be a profound connoisseur of the high baroque Italian composer's style.