Anton Bruckner
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Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Anton Bruckner composed the first of his three orchestral masses, the Mass in D minor, in just four months in 1864. Nevertheless, it was not completed for Emperor Franz Joseph I's birthday as planned,...
Anton Bruckner composed the first of his three orchestral masses, the Mass in D minor, in just four months in 1864. Nevertheless, it was not completed for Emperor Franz Joseph I's birthday as planned,...
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Bruckner's great "Mass in F minor" is one of the composer's - and 19th century choral music's - most important works. In a unique way, the composer succeeds here in musically penetrating the contents...
Bruckner's great "Mass in F minor" is one of the composer's - and 19th century choral music's - most important works. In a unique way, the composer succeeds here in musically penetrating the contents...
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Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...
Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...
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Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
- High Voice, Mixed Choir (SATB) and Orchestra
- Piano Reduction
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Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...
Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...
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2.2.2.2 - 2.2.3.0 - Pk, Orgel - Streicher - Soli: S, A, T, B - Chor: S, A, T, B - Partitur, Urtextausgabe
2.2.2.2 - 2.2.3.0 - Pk, Orgel - Streicher - Soli: S, A, T, B - Chor: S, A, T, B - Partitur, Urtextausgabe
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext)
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- String Orchestra
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- Jirka Kadlec
- Editions Marc Reift
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