Barbara Mohn

'This is the best of me', wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large or...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

At the age of 15, on New Year’s Day 1855, Rheinberger composed the Graduale Cantate Domino laeta, pueri, cantica JWV 32. He chose a text of which only one other setting – by Michael Haydn – is known....

At the age of 15, on New Year’s Day 1855, Rheinberger composed the Graduale Cantate Domino laeta, pueri, cantica JWV 32. He chose a text of which only one other setting – by Michael Haydn – is known....

Rheinberger’s first mass setting for choir a cappella, the Mass in E flat major JWV 57, exists in two different versions: the first version of 1856 and the revised version of 1858/59. The present edit...

Rheinberger’s first mass setting for choir a cappella, the Mass in E flat major JWV 57, exists in two different versions: the first version of 1856 and the revised version of 1858/59. The present edit...

A motet for the 1st Advent, which Rheinberger composed in September 1856 during a vacation in his home town of Vaduz in September 1856. Separate edition from: Supplementary Volume 4 of the Rheinberger...

A motet for the 1st Advent, which Rheinberger composed in September 1856 during a vacation in his home town of Vaduz in September 1856. Separate edition from: Supplementary Volume 4 of the Rheinberger...

In this setting of the penitential psalm Miserere mei, Deus for mixed choir and organ ad libitum, the psalm verses are performed alternately by a four-part choir with organ (ab lib.) and a monophonic...

In this setting of the penitential psalm Miserere mei, Deus for mixed choir and organ ad libitum, the psalm verses are performed alternately by a four-part choir with organ (ab lib.) and a monophonic...

The Marian hymn Omni die dic Maria WoO 30 is a late work by Rheinberger, which he set to music for a commissioned collection of Marian hymns. The hymn by Bernard von Morlas (1075–1140) is still includ...

The Marian hymn Omni die dic Maria WoO 30 is a late work by Rheinberger, which he set to music for a commissioned collection of Marian hymns. The hymn by Bernard von Morlas (1075–1140) is still includ...

Rheinberger's harmonically and melodically beautiful setting of the Marian antiphon Salve Regina from 1873 fell into oblivion and first appeared in print in the supplementary volume 4 of the Rheinberg...

Rheinberger's harmonically and melodically beautiful setting of the Marian antiphon Salve Regina from 1873 fell into oblivion and first appeared in print in the supplementary volume 4 of the Rheinberg...

A gradual setting based on Psalm 76 for Quinquagesima, the Sunday before Ash Wednesday, also known as Shrove Sunday. However, the text is also suitable for many other occasions. Separate edition from:...

A gradual setting based on Psalm 76 for Quinquagesima, the Sunday before Ash Wednesday, also known as Shrove Sunday. However, the text is also suitable for many other occasions. Separate edition from:...

Rheinberger composed two short antiphons for the pilgrimage site of Loreto in Italy in 1893, which can generally be sung on Marian feasts. Separate edition from: Supplementary Volume 4 of the Rheinber...

Rheinberger composed two short antiphons for the pilgrimage site of Loreto in Italy in 1893, which can generally be sung on Marian feasts. Separate edition from: Supplementary Volume 4 of the Rheinber...