Barbara Mohn

The 6-part chorale setting on the introit of the Mass for the Dead was composed during Rheinberger's teaching activities at the Royal School of Music in Munich. Together with his composition students,...

The 6-part chorale setting on the introit of the Mass for the Dead was composed during Rheinberger's teaching activities at the Royal School of Music in Munich. Together with his composition students,...

The Benedictus and the Agnus Dei are part of the first version of Rheinberger’s first mass setting for choir a cappella, the Mass in E flat JWV 57. The Mass exists in two different versions: the first...

The Benedictus and the Agnus Dei are part of the first version of Rheinberger’s first mass setting for choir a cappella, the Mass in E flat JWV 57. The Mass exists in two different versions: the first...

A chorale setting for liturgical practice. The male voices sing the Marian antiphon in unison in the style of a Gregorian chant, accompanied by the organ in a fine late Romantic harmonization by Rhein...

A chorale setting for liturgical practice. The male voices sing the Marian antiphon in unison in the style of a Gregorian chant, accompanied by the organ in a fine late Romantic harmonization by Rhein...

The Ad hoc templum is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to this song...

The Ad hoc templum is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to this song...

The Venite populi is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to the Venite...

The Venite populi is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to the Venite...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

This is the best of me, wrote Edward Elgar after the final bar of his "Dream of Gerontius". First performed in 1900, the work has long been one of the standard works of great oratorio choruses in Grea...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

Josef Gabriel Rheinberger wrote the Benedictus sit Deus for choir with an obbligato organ part while spending his vacations in his home country Liechtenstein in the summer of 1861. He donated the shor...

Josef Gabriel Rheinberger wrote the Benedictus sit Deus for choir with an obbligato organ part while spending his vacations in his home country Liechtenstein in the summer of 1861. He donated the shor...

The Recordare Virgo, an offertory for the feast of Our Lady of Sorrows (15 September) is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publi...

The Recordare Virgo, an offertory for the feast of Our Lady of Sorrows (15 September) is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publi...

In March 1855, shortly before his 16th birthday, Josef Gabriel Rheinberger composed one of his most successful pieces, the Abendlied, Op. 69/3. Yet it was to be another 18 years before he published th...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...