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Caroline Charrière

Caroline Charrière

J'ai écrit cette berceuse sur un poème d’Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. Le 'Ch...

J'ai écrit cette berceuse sur un poème d’Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. Le 'Ch...

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Caroline Charrière

The evocative title La Forêt enchantée [The enchanted forest] came to me purely by chance and the subtitles followed spontaneously: 1. par un matin [One morning] , 2. dans le lointain, el...

The evocative title La Forêt enchantée [The enchanted forest] came to me purely by chance and the subtitles followed spontaneously: 1. par un matin [One morning] , 2. dans le lointain, el...

  • Harp Duet
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Caroline Charrière

J'ai écrit cette berceuse sur un poème d’Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. Le 'Ch...

J'ai écrit cette berceuse sur un poème d’Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. Le 'Ch...

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Caroline Charrière
  • Mixed Choir (SATB)
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Caroline Charrière
  • Mixed Choir (SATB)
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Caroline Charrière

The Gregorian chant is part of my childhood memories. In Corpataux (Switzerland), the village of my grandmother, the parish choir sang in latin. From that period forward, I have retained the memory of...

The Gregorian chant is part of my childhood memories. In Corpataux (Switzerland), the village of my grandmother, the parish choir sang in latin. From that period forward, I have retained the memory of...

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Caroline Charrière

The Gregorian chant is part of my childhood memories. In Corpataux (Switzerland), the village of my grandmother, the parish choir sang in latin. From that period forward, I have retained the memory of...

The Gregorian chant is part of my childhood memories. In Corpataux (Switzerland), the village of my grandmother, the parish choir sang in latin. From that period forward, I have retained the memory of...

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Caroline Charrière
3. Marie de Magdala
  • Mixed Choir (SATB)
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Caroline Charrière
3. Marie de Magdala
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Caroline Charrière
4th Véronique

The cycle Femmes de Jérusalem [Women of Jerusalem] was commissioned by the vocal ensemble DeMusica (Fribourg, Switzerland) and its conductor Marc Bochud for the 20th anniversary of the founding of the...

The cycle Femmes de Jérusalem [Women of Jerusalem] was commissioned by the vocal ensemble DeMusica (Fribourg, Switzerland) and its conductor Marc Bochud for the 20th anniversary of the founding of the...

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Caroline Charrière
4th Véronique

The cycle Femmes de Jérusalem [Women of Jerusalem] was commissioned by the vocal ensemble DeMusica (Fribourg, Switzerland) and its conductor Marc Bochud for the 20th anniversary of the founding of the...

The cycle Femmes de Jérusalem [Women of Jerusalem] was commissioned by the vocal ensemble DeMusica (Fribourg, Switzerland) and its conductor Marc Bochud for the 20th anniversary of the founding of the...

  • Mixed Choir (SATB)
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Caroline Charrière

Mezzo-Soprano and Piano.

Mezzo-Soprano and Piano.

  • Medium Voice and Piano
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Caroline Charrière
for Women Choir (20 Parts) & Alto Solo

I wrote this piece after a rehearsal with the Choeur de Jade (Fribourg, Switzerland) in January 1996. I always wondered what kind of melody - which is notated at the end of certain episodes - Lucky Lu...

I wrote this piece after a rehearsal with the Choeur de Jade (Fribourg, Switzerland) in January 1996. I always wondered what kind of melody - which is notated at the end of certain episodes - Lucky Lu...

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Caroline Charrière
for Women Choir (20 Parts) & Alto Solo

I wrote this piece after a rehearsal with the Choeur de Jade (Fribourg, Switzerland) in January 1996. I always wondered what kind of melody - which is notated at the end of certain episodes - Lucky Lu...

I wrote this piece after a rehearsal with the Choeur de Jade (Fribourg, Switzerland) in January 1996. I always wondered what kind of melody - which is notated at the end of certain episodes - Lucky Lu...

  • Singing and Women's Choir
  • #N/A
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Caroline Charrière

I wrote this piece in January 1996 after a rehearsal with the Choeur de Jade (Fribourg, Switzerland). I was always curious to know what kind of melody, which is often mentioned at the end of some epis...

I wrote this piece in January 1996 after a rehearsal with the Choeur de Jade (Fribourg, Switzerland). I was always curious to know what kind of melody, which is often mentioned at the end of some epis...

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Order no.: BIM-V67
Caroline Charrière

I wrote this piece in January 1996 after a rehearsal with the Choeur de Jade (Fribourg, Switzerland). I was always curious to know what kind of melody, which is often mentioned at the end of some epis...

I wrote this piece in January 1996 after a rehearsal with the Choeur de Jade (Fribourg, Switzerland). I was always curious to know what kind of melody, which is often mentioned at the end of some epis...

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Caroline Charrière

This calm and fluid piece with a pleasant harmony is, at first sight, written in the spirit of the Ave Maria of a Franz Schubert or a Charles Gounod/Johann Sebastian Bach, to quote only the most famou...

This calm and fluid piece with a pleasant harmony is, at first sight, written in the spirit of the Ave Maria of a Franz Schubert or a Charles Gounod/Johann Sebastian Bach, to quote only the most famou...

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Order no.: BIM-V119
Caroline Charrière

This calm and fluid piece with a pleasant harmony is, at first sight, written in the spirit of the Ave Maria of a Franz Schubert or a Charles Gounod/Johann Sebastian Bach, to quote only the most famou...

This calm and fluid piece with a pleasant harmony is, at first sight, written in the spirit of the Ave Maria of a Franz Schubert or a Charles Gounod/Johann Sebastian Bach, to quote only the most famou...

  • Men's Chorus
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Caroline Charrière
  • Mixed Choir
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Caroline Charrière
  • Mixed Choir
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Caroline Charrière
  • Mixed Choir (SATB)
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Order no.: BIM-V116
Caroline Charrière
  • Mixed Choir (SATB)
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Caroline Charrière

This piece is part of a special commission from Laurent Estoppey to seven composers for one minute of music each for an instrument of his choice. For me it was the guitar. Toni Albanese gave the world...

This piece is part of a special commission from Laurent Estoppey to seven composers for one minute of music each for an instrument of his choice. For me it was the guitar. Toni Albanese gave the world...

  • Classical Guitar
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Order no.: BIM-GUI11
Caroline Charrière

This piece is part of a special commission from Laurent Estoppey to seven composers for one minute of music each for an instrument of his choice. For me it was the guitar. Toni Albanese gave the world...

This piece is part of a special commission from Laurent Estoppey to seven composers for one minute of music each for an instrument of his choice. For me it was the guitar. Toni Albanese gave the world...

  • Classical Guitar
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Caroline Charrière
  • Piano
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Order no.: BIM-PNO61-DL